In this episode, we welcome co-directors Christian Hurley and Ben Oliphint, and producer Matt Wassong—the filmmakers behind the horror feature A Most Atrocious Thing, made for just $8,000 and ultimately landing distribution on Tubi and other platforms.
In this episode, we welcome the creative team behind the 19-time Emmy-nominated Apple TV series Widow’s Bay—cinematographer Christian Sprenger ASC, editor Isaac Hagy ACE, and production sound mixer Kevin S.
In this episode, we welcome Natasha Braier ASC, ADF, the cinematographer behind acclaimed films such as She Said, Honey Boy, The Neon Demon, Gloria Bell, and I Love Boosters. In our conversation, Natasha shares her journey from her roots in Argentina to building a career in Los Angeles, along with a behind-the-scenes look at the making of
In this episode, we welcome cinematographer Nik Summerer ASC, best known for his work on the critically acclaimed series Dark, as well as 1899 and the feature film Color Book, now streaming on Netflix.
In this episode, we welcome director Connie He and Google DeepMind’s Márcia Mayer to discuss the making of Dear Upstairs Neighbors, which premiered at the Tribeca Festival in June.
In this episode, we welcome award-winning cinematographer Jeff Hester, whose work includes documentaries such as Postcard from Earth, Our Planet, Dolphins Up Close with Bertie Gregory, Planet Earth III, and Hammerhead Sharks Up Close for Nat Geo’s annual summer event, SHARKFEST.
In this episode, we welcome Eben Bolter ASC, BSC, cinematographer of the new Apple TV series Cape Fear. Eben has also lensed acclaimed projects including The Life of Chuck, The Last of Us, and Slow Horses. In our conversation, he shares his journey into cinematography, the experiences that shaped his career, and his approach to developing the visual language of
In this episode of The Making Of, we welcome legendary colorist and Company 3 founder/CEO Stefan Sonnenfeld. Stefan shares his journey into color grading, the evolution of his career, and the story behind building one of the industry's most respected post-production companies. He also discusses his work on