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The Indie Hustle

Smart insight for a fast-changing TV, digital & content world

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Why more PSBs need to make vertical dramas

Welsh indie boss Llyr Morus on making the U.K.’s first vertical stories for S4C

50 years of Edinburgh TV Festival: the deals and the lessons that still matter

Tips and recollections from leading lights of the industry ahead of the final event in the Scottish capital

Brand funding dos and don’ts: the media agency tell-all

Insights from WPP Media’s Simon Kennedy

AI Insights: why every producer needs to understand vibe coding

How Zinc Media Group is running its in-house AI label, Cicada

How to elevate the history drama-documentary for the global streaming market

Showrunner Tom Barbor-Might and Plimsoll Productions founder Grant Mansfield on Tom Hiddleston-fronted Pompeii: Out of Time

How to make brand partnerships soar: building Tinder and TikTok’s Double Date Island

Studio 55’s Will Scougal on making a social-first dating reality show

The art of digital channel management in 2026 and beyond

Spirit Studios’ Peter Cowley on how to manage a YouTube channel

How to navigate the new sports doc terrain: micro-formats and the funding jigsaw

Insights from Pitch International's Jonathan Rogers

Vertical drama and AI: how Red Pony is elevating microdrama storytelling

Red Pony on producing Germany’s first public broadcaster vertical drama

The Black Mirror effect: decoding Banijay’s blueprint for live IP expansion

Insights from Banijay Live CEO Francois de Brugada