
A Movie, a Mountain, and a Way Back
How Mary Oliver: Saved by the Beauty of the World helped me find my way back to Temescal Canyon—and to a need for awe laying dormant since the fire.
Observations of the independent film ecosystem from the vantage point of a career in the nonprofit sector
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How Mary Oliver: Saved by the Beauty of the World helped me find my way back to Temescal Canyon—and to a need for awe laying dormant since the fire.

On governance, culture, and leaving the party while you're still having fun.

Two worlds intersect on my path from donor‑centrism to public accountability in philanthropy and independent film.

Guest author and Multitude Films co-founder Anya Rous digs into how the times necessitated a business model pivot

The Executive Producer as team champion, bringing clarity, care, and creative trust to the messy miracle of getting an indie doc made.

A week spent choosing people over premieres revealed a collective midlife “messy middle,” where personal upheavals mirror a film industry in transition and invite curiosity over certainty.

Turns out, more than I thought.

What high school students love about film gives me hope

A love letter to the documentary film community.

How well do you really understand the charitable deduction?