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Theatr's Newsletter · Aug 4, 2026

Theatr Insiders | Rom-Coms, Tradwives, and Chickens

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👋 Hello and welcome back!

  • Come one, come all! Cats: The Jellicle Ball will record a cast recording to be released this winter. Read more.

  • The Rocky Horror Show has extended on Broadway through February 2027. Read more.

  • Purple Rain, the stage adaptation of the Prince film, will open on Broadway in Spring 2027. Read more.

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This week we’re bringing you reviews of Broadway and Off Broadway shows, The Betrothed, Three Chickens Confront Existence, atticwife, and Joe Turner’s Come and Gone.

📍WP Theater
👍 Recommended by Sid

@Sid_xs7 | A data scientist living near broadway

The cutest rom-com I’ve seen in quite a while! The delightfully chaotic love polygon, paired with an all-women cast, somehow makes the unbearably straight male character feel oddly endearing. The play strikes a wonderful balance between exaggeration and restraint. Its perfectly timed twists, along with the surprisingly poetic reflections on life shared between humans and seals, give the entire production a light, rhythmic quality without ever feeling weightless or lacking substance. Read more

📍Paradise Factory
👍 Recommended by Danica

@amazinggoose | Thrifty Broadway Enthusiast

I never thought I’d spend a Friday afternoon in a theater crying over chickens. Three Chickens Confront Existence is a play about living and dying — about existential dread, and how we cope with the fact that we’ll never know when our end comes. The moment the lights came up, I thought I could see where this was going. The staging told me everything: chickens in a row of cages means death down the line, means food on someone’s table. Life experience says this is a tragedy. But once the three chickens started talking, I realized it was so much more than that. Like us, they build meaning out of boredom. They long for structure while living in uncertainty. A small society forms, a religion forms — and still, none of it saves them from the fear of tomorrow. It’s a simple setup that holds a lot. You smile with the chickens, cry with them, and recognize that shared feeling of being lost and needing a purpose. Read more

📍59E59 Theaters
👍 Recommended by Sid

@Sid_xs7 | A data scientist living near broadway

At first, I thought it was just another show built around a stack of buzzwords. But the production quickly proved me wrong. Within a tight 50-minute runtime, using a single set, minimal props, and only two performers, it builds an impressive amount of dramatic tension. Introducing two fully realized characters so efficiently is no easy task, yet the show establishes them with remarkable economy. It closes on a beautifully executed transition and a single, devastating line that lingers. That kind of restraint and confidence speaks great craftsmanship. The dynamic between the two protagonists is compelling. They may dislike each other, yet they possess an almost unsettling level of insight into one another. Their observations don’t merely expose each other’s flaws—they gradually reveal who the other person truly is. As fragments of their shared past unfold layer by layer, every scene gains new meaning, and not a single moment feels wasted. Read more

📍Ethel Barrymore Theatre
👍 Recommended by Leah

@leahmoschella | Fulltime education policy consultant to enable my travel, theater, cocktails, and women’s sports loves.

This show is an absolute master class in performance and storytelling. There’s a certain kind of magic when every individual performance draws you completely into their individual character while also creating such powerful on stage chemistry. Perhaps it was because this was the second-to-last performance, or perhaps it’s simply because August Wilson was one of the greatest storytellers of all time. Either way, the result is extraordinary. Wilson’s script is overwhelming at times. But the cast brings each word to life with full-bodied, deeply passionate performances. There are moments of deep discomfort, as there should be when confronting the legacy of slavery, the brutality of the Middle Passage, and the lasting demons of forced labor. I left the theater in awe of every actor on that stage. Read more

Highlighting funny comments that you all have made on Broadway and Off-Broadway shows.

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