Though it is a very different novel, Mike Resnick's Paradise recalls for me some of the themes in Ray Bradbury's The Martian Chronicles. This similarity is echoed in the use of the descending contrail, a device I used in the sky of the cover art for the latter book. In both paintings, the symbol stands for the same idea: mankind’s arrival signals the end of a beautiful native balance and harmony.
The fact that the book is an allegory for the discovery and destruction of Africa-Kenya, in particular gives the book a potent immediacy and a pang of sadness. There seem to be no sure answers to the problems facing those living either in Resnick's world or in present day Africa.
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