A couple of gays talk the horror movie of the month, real life crime/events, plus if it's worthy of being an honorary gay film. And yes, the episode titles are puns. We know what we're doing (we hope).
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It's been a hot minute, but we have returned from our mini hiatus to discuss 2008's TWILIGHT, directed by Catherine Hardwick and written by Melissa Rosenberg. Plus, the most insane connected timeline that involves this movie, NYC and My Chemical Romance, and movies we loved that we saw while we were away. You may also hear Salem, Elle's cat, commenting his opinion on the films every now and then…
A month missed but we're still here! And this month we're doing a "holiday" film that doesn't get much rep in the horror genre: 1986's APRIL FOOL'S DAY, directed by Fred Walton and written by Danilo Bach (who wrote the screenplay for BEVERLY HILLS COP, which is an interesting jump genre-wise). We also talk about April Fool's origins (or as close as we can get to them), Kate perseveres the end of…
A long hiatus is finally over! To break this winter streak, we're reviewing 2025's THE LONG WALK, directed by Francis Lawrence and written by JT Mollner. Plus, some walks you don't want to take unless you are a thrill seeker, and a few movies we've been watching while real life got busy for both of us. You can follow the podcast and hosts on Twitter at @dykemadden and @ellemdesigns, and the…
We are back! After 2 months off, we are online again and ready to review 1967's WAIT UNTIL DARK, written and directed by Terence Young. Plus, a real life brawl between a blind man and an intruder, all the movies we've been watching, and Alan Arkin subjecting himself to the worst job in the world: being mean to Audrey Hepburn. You can follow the podcast and hosts on Twitter at @dykemadden and…
It's the middle of the year (already!) and since it's a little late to celebrate the 4th of July, we're going to review 2006's SLITHER, written and directed by James Gunn (in his debut!). There's also some invasive worm species in the United States, and Kate begins their journey into SMALLVILLE while Elle keeps themselves sane with cinema watching. You can follow the podcast and hosts on…
Happy Pride month to everyone! To celebrate this wonderful time of the year, we're talking about 2022's ATTACHMENT, written and directed by Gabriel Bier Gislason. There's a (false) dybbuk in a box, horror should explore more religious folklore of all kinds, and we wish you all a safe and lovely rest of Pride ❤️ You can follow the podcast and hosts on Twitter/Bluesky at @HorrorTimePod and at…
It's May, so it's time for a new episode! This month we cover 1981's BUTCHER, BAKER, NIGHTMARE MAKER (or NIGHT WARNING during a re-release), directed by William Asher and written by Steve Breimer. In addition, we have short stories of women who dated actual Momma's Boys, and Kate gets ready for the final "Mission Impossible" chapter while Elle tries to get out of being a temporarily retired…
Happy end of hiatus everyone! We're back covering 1953's HOUSE OF WAX, directed by André de Toth and written by Crane Wilbur and Charles Belden. Plus, the real Chamber of Horrors in London's Madame Tussuads' Wax Museum, a horror filled wind down, and the shows we've been binging these last few weeks. We also dedicate this episode to Val Kilmer (who we will miss very much), and Larry Graham, Kate's…
It's the final month of 2024, so to finish the year, we're reviewing 2023's IT'S A WONDERFUL KNIFE, directed by Tyle MacIntyre and written by Michael Kennedy. Plus, special guest Ney from Attack of the Queerwolf! joins us, the domino effect in the real world, and new things coming up from all of us for the most wonderful time of the year! You can follow the podcast on Twitter/Bluesky at…
It's nearing the end of the year but we're just in time to celebrate our 100th episode!! For this turkey day we're reviewing 1987's BLOOD RAGE (or SLASHER or NIGHTMARE AT SHADOW WOODS, whichever title you like best), directed by John Grissmer and writted by Bruce Rubin. Plus, what psychiatric wards are really like, Louise Lasser is the gem of the film, and a SAW and Christmas filled wind down as…
