026 · Automatism
Susan Sontag and André Breton meet at the camera: surrealism, psychic automatism, photography, computation, and the expanding image-world.
An ongoing archive of fragments and short critical pieces across theory, life writing, visual culture, memory, and digital culture. By Marc Brüseke.
Susan Sontag and André Breton meet at the camera: surrealism, psychic automatism, photography, computation, and the expanding image-world.
Photo-sketching, photographic detail, and the moment an image interrupts attention and opens a fragment through memory and association.
Haiku, haibun, haiga, Roland Barthes, Camera Lucida, the Winter Garden Photograph, and the relation between image, text, absence, and desire.
A dream of finding my mother at a supermarket checkout in a city that resembles both Cape Town and London.
Semiotic visual analysis and haiku poetics meet at the barre oblique, a slash that holds two methods in unstable relation.
A dream of a suitcase that appears to contain a dismembered body, but turns out to hold 83.2 kilograms of Hida beef.
Roland Barthes, studium, punctum, haiku, and satori at the point where photographic meaning exceeds commentary.
A dream of a neti pot, blurred vision, Karabo in the back of my mother’s Ford Capri, and stars hidden beneath the seat.
Roland Barthes, John Berger, photographic meaning, the limits of structural explanation, and the unresolved space where photo-sketching begins.
The scaled dot-product attention equation from the Transformer architecture, isolated as a fragment.