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Years I Am in Love Years I am in love I want to eat almond cake, stand like a child waiting for a bus. I am done. My face changed. I hear sounds, rake the leaves even neighborhood owls are back on the hunt I hold my head in their direction. My life could feel good to touch. See how I contort my neck to the sole of my foot where under the skin a tenacious mosaic thrives, each wart my enemy, my hope— Years I am in love I slice the moon with my thumb. I wake up early and slice the sun with my thumb, my hand a dutiful star made of knives I cut each hour I cut each apple into halves. Numbers lose meaning. I mark the rose bush my ultimate frenemy. Even the smoke from burnt brussel sprouts seduces. Years I am in love I move through Philadelphia and Philadelphia moves through me, an arrow of cement and cherry blossoms Years I am in love I look before crossing the street. My houseplants develop root rot. Years I am in love I volunteer to take minutes in every meeting and misquote everyone, but don’t worry the agenda carries forward and like this I keep the fumble going like a good football player I’m spiraling headlong into the huddle with fingers on the laces. Years I am in love time turns infinite. Hope I must remember is a discipline. I hold a cool glass of water to my cheek and count the cardinals visiting my apartment building’s shared back lot, like a herd of red angels they anoint the day dutifully. Years I am in love I don’t look before crossing the street. I cook ambitiously. Years I am in love war remains rampant. We compare lilacs and wisteria, the mismatch of scent and climate and geography. A song rumbles from the street. I catch the outline of its music and hold the shape up to see what falls through. Years I am in love I visit the ocean regularly, Years I am In love I take any ride offered. I recall the firm pressure of their palm pushing the lower rung of my abdomen against a wall, muscle to muscle, a struggle under fluorescents in an anonymous hallway. The feeling becomes the image, frozen with a little sigh. Years I am in love Rain, parting like a beaded curtain, embraces me. The blood seeps out, pooling in the crotch of my orange sweatpants. Years I am in love I hold back everything. Tell me how it ends before starting the story. Tell me how you feel without an ounce of translation as you said depth ultimately denotes time. Years I am in love ruin me. I divulge everything. I fall asleep to birdsong and when I wake the shapes don’t match the vision. The abandoned house next door emits little beeps the baa baa bleeting of a dying smoke alarm battery. I am pierced, skewered if you will. Years I am in love the tyranny of the image cascades around me. I collect little seashells and only watch Survivor; I could stand alone at the end of a great game and coo like a turtle dove. My forearms harden. I pay great attention. Some get off on certain verbiage. Words like “displacement” or “moon” or “porous.” I perform the same tricks again and again. Years I am in love I cup water in my hands drinking from the faucet when every cup is dirty. Some nights breeze through everyone. The rush of now pumps hot in my head like an anthem I clutch at the chemical musk of old spice deodorant. Years I am in love flickerpulse. Years I am in love The difference between seeing and looking is for someone else to explain. Years I am in love I’m all greased joints, rhythm, and fine cartilage. Call me a honed instrument better yet call me. Sing a little before the birds catch wind. Years I am in love I want the top down Years I am in love make me a sharp implement. I squat and hang my head between my feet. I perform every posture in adrienne’s “yoga for suffering” The pain persists for me for you for everyone I love in the years that I am in love
Author’s Note: The first 10 couplets of this poem were written by my dear friend and poet Coco Wilder, who graciously invited me to jump behind the wheel of the poem she began.
Blanche Brown (she/her) grew up in the Florida panhandle. Since 2017, she has lived, worked, and collaborated with arts and community-based organizations in Philadelphia. She’s currently proud to serve as the Executive Director of Vox Populi, a multidisciplinary visual art gallery, performance venue, and artist collective. She has two chapbooks in the world: one about oysters and one about email.

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