Centuries before Neo instantly mastered Kung Fu in *The Matrix*, medieval scholars found a shortcut to years of difficult study: a magical manuscript that promised to fast-track advanced learning. Anne Lawrence-Mathers investigates the *Ars notoria*, its supposed powers, and the demonic influence it had upon some users.
Pompous know-it-alls were once a mainstay of mockery on the Italian stage. Arnoud Visser investigates this stock character of the pedant and his association with individual superiority, social distinction, and sexual transgression, finding a form of satire that took aim at the Renaissance humanist’s erudition and lofty ideals.
Selections from the long-running British journal on historical peculiarities, from the whereabouts of Mary Queen of Scot’s severed head to the identity of Charles I's hooded executioner.
Arguably the first work of fiction to feature a *Tyrannosaurus rex*, Louis Pope Gratacap’s *The New Northland* (1915) is at once kaleidoscopic, mischievous, fascinating — and exhausting. Richard Fallon explores this “lost world” novel, finding a work as interested in cutting-edge science as it was in paying dues to its generic precursors.