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It’s a Good Time to Get Into Audrey Hobert

Suddenly a singer-songwriter overflowing with personality and individuality is here, and it can be a lot. Here’s a look at Hobert’s spotlight moment through the lens of Taylor Swift’s early career and also Ween.

5 Takeaways From Phoebe Bridgers' Lost Weekend

The singer-songwriter’s third album is focused on rebuilding the wreckage of a life you thought you wanted

Dekmantel 2026 Report: The Best of the Fest

The elite electronic music festival remains one of our favorites because of the relationship between the sound, the artists, and the crowd. We flew back to Amsterdam for another long weekend of deepness.

Jeff Mills Drifts Into the Cosmos

For decades, the pioneering techno producer has found the potential for freedom and resistance in outer space. Ahead of the world premiere of his new live project Stargate at MUTEK, we caught up with Mills to talk wormholes, science fiction, and AI.

Luhh Dyl Lifts His Name on High

Alphonse Pierre’s Off the Dome column covers songs, mixtapes, albums, scenes, snippets, movies, Meek Mill tweets, fashion trends—and anything else that catches his attention. This week, Al sits down with the Detroit rapper who’s part of a new wave of Christian-esque rappers wanting to be light in the dark.

Margo XS Is Radicalizing Your Favorite Pop Star

She played Arca for Zara Larsson and helped Kim Petras take a Detour. Now the producer is bringing her bass-boosted agenda to the club with her rave-rap duo deBasement.

Kevin MacLeod, King of Royalty-Free Music

Rabbit Holed is Kieran Press-Reynolds’ weekly column exploring songs and scenes at the intersection of music and digital culture, separating shitpost genius from shitpassé lameness. This week, Kieran talks to the musician Kevin MacLeod, whose royalty-free tunes have shaped how we hear the internet.

The Odyssey Review: The Origin of a Never-Ending Story

Christopher Nolan’s passionate, dazzling adaptation of Homer’s poem is an epic to end—and begin—all epics.

The World Cup Halftime Show Was Fake as Hell

Pitchfork made it inside MetLife Stadium to get an IRL look at the first-ever World Cup Halftime Show curated by Chris Martin. Featuring a who’s-who of massive stars totally disconnected from one another, the showcase felt meaningless.

10 of the Best Under-the-Radar Rap Mixtapes of 2026

Alphonse Pierre’s Off the Dome column covers songs, mixtapes, albums, scenes, snippets, movies, Meek Mill tweets, fashion trends—and anything else that catches his attention. This week, Al jots down his thoughts on off projects from Atlanta, Alabama, Phoenix, and more that deserve more attention.