Joe Rosenthal's Iwo Jima leads — plus Gerwyn Davies opens in Berlin, six artists photograph a demolished Echo Park restaurant, and Hujar, Weems and Battaglia all close on the 23rd
Stephen Wilkes's Flat Iron 9/11 leads — plus Fotografiska opens outdoors in Stockholm and questions reality in Berlin, Sanlé Sory's Volta Photo studio comes to San Sebastián, and the first Martin Parr photobook retrospective
Margaret Bourke-White's first LIFE cover, plus the Royal Photographic Society's 167th exhibition opens at Saatchi, Catherine Opie's first Scottish show, and Robert Adams opens his contact sheets
Harold Edgerton's Milk Drop Coronet opens this issue — plus 25 years of Todd Hido's House Hunting in Carmel, Phoenix surveys photographic time, and the first eclipse photograph turns 175
Alberto Korda's "Guerrillero Heroico" at 66 — plus Joel-Peter Witkin's four-decade survey in Los Angeles, Linder's retrospective lands in Blackpool, and David Bailey's 40-year Polaroid love letter
Man Ray's "Le Violon d'Ingres" and the Christie's Thérond preview — plus Martin Parr's posthumous retrospective in Seoul, and Stieglitz, 80 years on...
Steve McCurry's "Afghan Girl" and the ethics of consent — plus Jamel Shabazz's first German survey, Cecil Beaton in San Diego, and Arles opening the European photography summer
Ansel Adams's 40-year argument with a single negative — plus Annie Leibovitz on football as the World Cup plays out, Anton Corbijn in Berlin, and the day photography's inventor died unrecognized...
A week that runs from Salgado's pit of fifty thousand men to the dancefloor and the Dead — plus Ed van der Elsken at the Rijksmuseum, Alfredo Jaar's heaven and more...