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People of Print

The Home of Print Culture — Creative Community Since 2008

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If You Feel Pain and Danger Beneath It, That Is Equally True: Scarlett Yang’s Her Feast

London-based Chinese illustrator Scarlett Yang creates a series of five works drawing on 17th-century Dutch sumptuous still-life painting to explore how abuse can be disguised as intimacy, transforming cut fruit, flowers, sweets, seafood and animal remains into a ritualised banquet where women are symbolically consumed. Pronkstilleven, the lavish Dutch still-life…

The World’s Largest Collection of Contemporary Visual Messages to Change the World: Fight for Kindness

The Online Gallery of selected posters from the V edition is online Every letter carries a message. Every message has the potential to create change. Born from the belief that typography can be more than a tool for communication, Fight for Kindness 2026 celebrates the transformative power of letters to…

Every Voice Heard: Sam Wilde’s Tessellation Installation at the V&A

British artist Sam Wilde invites V&A visitors to co-author a vast hand-drawn frog tessellation, distributing over one thousand unique tiles in blind-box booster packs to create a live, shifting public artwork shaped by chance and individual choice. More than one thousand frogs. Each one hand-drawn, unique, cut from FSC-certified birchwood,…

Meaning Emerges Through Instability: Raina Redcross’s Coexistent Language

New York-based graphic designer Raina Redcross develops her Parsons Communication Design thesis into an editorial, motion and wearable project that translates biological mimicry into a visual language, using distortion, material layering and image manipulation to construct visuals where meaning shifts with perception. Mimicry in nature is a survival strategy: camouflage,…

The Eye of Others Is Both the Spotlight and the Pressure: Maria Tabarcea’s Relentless Gaze

Bucharest-based illustrator and art director Maria Tabarcea creates a series of RGB prints exploring the tension between the desire to be seen and the weight of being watched, drawn from the real and ongoing experience of existing as an artist in digital space. There is a tension that anyone building…

A Tool, Not a Series: Studio Studio’s Parametric Poster Engine for 3 sec Gallery

Ghent-based Studio Studio designs a generative poster system for a roadside exhibition space in Breda, building a parametric tool that produces compositions from typographic parameters and prints its own settings on each export, making every poster fully reproducible and the tool itself publicly accessible. 3 sec Gallery is a parking-site…

Weird Doodles into People’s Hands: Eric Reigert’s iPad-to-Plywood Prints

Art Director Eric Reigert takes digital illustrations from his iPad, laser-engraves them onto shina plywood, and finishes each one with a hand-painted background to create tactile, one-of-a-kind prints that get his work off a screen and into the world. The process started with a simple frustration: digital illustrations are invisible…

Rebirth at the Centre: Zhao Hong’s Chronicles of Nezha

Penang-based illustrator and Riso printmaker Zhao Hong Low, aka Inking Liox, creates a large-scale flower-shaped risograph wall piece for a collaborative Malaysian print exhibition, narrating the mythic rebirth of Nezha across five assembled A3 sheets in four colours. Nezha, the Third Lotus Prince of Chinese mythology, is a figure of…

Trust Earned Layer by Layer: Chiara Mensa’s Contact Series

Originally trained as an architect, London-based printmaker Chiara Mensa carves a series of five multiblock linocuts exploring the small physical gestures that define companionship between humans and rescue animals, printed in a limited edition of 30 on Somerset satin 250gsm. Trust between a person and a rescue animal is not…

A Different Rhythm: Charlotte Rubesa’s Quiet Media

Charlotte Rubesa founded a print-first publication asking what happens after peak internet, bringing together fifteen contributors across essays, interviews and reflections in a riso-printed, hand-embossed first issue that embodies the slower, more intentional culture it argues for. The exhaustion is real. A media landscape optimised almost entirely for speed, scale…