Sziget 2026 si è concluso nel migliore dei modi, con oltre 360.000 presenze in 5 giorni da oltre 110 paesi, per quella che è stata la prima edizione dopo il ritorno alla gestione indipendente. L’edizione di quest’anno dell’enorme festival ungherese è stata costellata da incertezze sul proprio futuro, ma soprattutto sul proprio presente: a seguito della scorsa kermesse infatti è avvenuto un…
Some songs approach love as something directed outward, searching for another person to complete the picture. JUMAN takes a different route on “Essensual”, turning that familiar emotional language inward and making self-love the central subject. Released in December 2023, the track feels less like a conventional declaration and more like a private affirmation that has gradually opened itself to…
With Wild As the Wind, Ryan Farish opens another chapter in a career built around atmosphere, emotion and an unusually instinctive relationship with electronic music. Rather than presenting the album as a tightly controlled exercise in production, Farish lets the material breathe, following ideas that appear to move according to their own rhythm. The result is a release that sits comfortably…
Rinalds Maksimovs introduces his debut album “Rincore” as a work built on tension: between the physical presence of drums and the elusive nature of electronic sound, between improvisation and careful studio construction. Developed across four years, from 2022 to 2026, the album feels less like a fixed statement than the result of an ongoing search for a personal musical language. Jazz,…
Some songs arrive with the intention of making noise; others seem more interested in changing the temperature of the room. “Wake up” belongs to the latter category, although it certainly knows how to make itself heard. MrGeorge returns with a polished electronic pop production that draws openly from the melodic language of the 1980s while keeping its feet firmly in the present. The result is…
_ophelioo enters the electronic landscape with project_0, a debut that feels less like a simple introduction and more like the opening chapter of a world still taking shape. Across its two tracks, “Intero” and “Mona Lisa”, the producer brings together House and Baile Funk influences, building a sound that is energetic without becoming predictable. There is a clear interest in rhythm here, but also…
Bright Shining Lights return with “SM-02”, a release that expands their instrumental language into something darker, richer and considerably more cinematic. Across nine movements and roughly twenty-eight minutes, the New Jersey project builds an alternative rock framework that often seems to dissolve into orchestral territory, leaving plenty of room for atmosphere and suggestion. We are pleased to…
Some songs emerge from struggle with their fists raised, while others seem to carry the weight of the experience in every note. IamSnap’s “Last Round”, featuring Lydia Caesar, belongs to the first category. The Australian artist turns an intensely personal confrontation with anxiety, depression and self-doubt into a track that refuses to remain trapped inside its own darkness. The result is a…
Eleri Ward-BELIEVE IT AND IT’S TRUE arrives with an unusual sense of purpose. Rather than treating electronic pop simply as a vehicle for melody and atmosphere, Ward uses the form as a space for repetition, reflection and transformation. The result is a track that feels deliberately removed from the conventional expectations of a pop single, yet remains accessible enough to draw the listener in…