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Orwell Daily · Jun 8, 2026

"There was a certain fitness in this, since her own husband had been vaporized a couple of years earlier."

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The Orwell Foundation, George Orwell · Orwell Daily

Nineteen Eighty-Four, George Orwell’s chilling (and thrilling) warning to the future, was first published on this day in 1949. In this extract, from Part One, Chapter 4, Winston Smith is at work in the Ministry of Truth, where his role involves ‘correcting’ the record so that it matches the Party’s version of history (’It was merely the substitution of one piece of nonsense for another,’ he reflects, since the original statistics were ‘just as much a fantasy’ as their ‘rectified version’). As the chapter progresses, the wider machinery of the Party’s information system discloses itself, with an eerie familiarity.

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Winston glanced across the hall. In the corresponding cubicle on the other side a small, precise-looking, dark-chinned man named Tillotson was working steadily away, with a folded newspaper on his knee and his mouth very close to the mouthpiece of the speakwrite. He had the air of trying to keep what he was saying a secret between himself and the telescreen. He looked up, and his spectacles darted a hostile flash in Winston's direction.

Winston hardly knew Tillotson, and had no idea what work he was employed on. People in the Records Department did not readily talk about their jobs. In the long, windowless hall, with its double row of cubicles and its endless rustle of papers and hum of voices murmuring into speakwrites, there were quite a dozen people whom Winston did not even know by name, though he daily saw them hurrying to and fro in the corridors or gesticulating in the Two Minutes Hate. He knew that in the cubicle next to him the little woman with sandy hair toiled day in day out, simply at tracking down and deleting from the Press the names of people who had been vaporized and were therefore considered never to have existed. There was a certain fitness in this, since her own husband had been vaporized a couple of years earlier. And a few cubicles away a mild, ineffectual, dreamy creature named Ampleforth, with very hairy ears and a surprising talent for juggling with rhymes and metres, was engaged in producing garbled versions — definitive texts, they were called — of poems which had become ideologically offensive, but which for one reason or another were to be retained in the anthologies. And this hall, with its fifty workers or thereabouts, was only one sub-section, a single cell, as it were, in the huge complexity of the Records Department. Beyond, above, below, were other swarms of workers engaged in an unimaginable multitude of jobs. There were the huge printing-shops with their sub-editors, their typography experts, and their elaborately equipped studios for the faking of photographs. There was the tele-programmes section with its engineers, its producers, and its teams of actors specially chosen for their skill in imitating voices. There were the armies of reference clerks whose job was simply to draw up lists of books and periodicals which were due for recall. There were the vast repositories where the corrected documents were stored, and the hidden furnaces where the original copies were destroyed. And somewhere or other, quite anonymous, there were the directing brains who co-ordinated the whole effort and laid down the lines of policy which made it necessary that this fragment of the past should be preserved, that one falsified, and the other rubbed out of existence.

And the Records Department, after all, was itself only a single branch of the Ministry of Truth, whose primary job was not to reconstruct the past but to supply the citizens of Oceania with newspapers, films, textbooks, telescreen programmes, plays, novels — with every conceivable kind of information, instruction, or entertainment, from a statue to a slogan, from a lyric poem to a biological treatise, and from a child's spelling-book to a Newspeak dictionary. And the Ministry had not only to supply the multifarious needs of the party, but also to repeat the whole operation at a lower level for the benefit of the proletariat. There was a whole chain of separate departments dealing with proletarian literature, music, drama, and entertainment generally. Here were produced rubbishy newspapers containing almost nothing except sport, crime and astrology, sensational five-cent novelettes, films oozing with sex, and sentimental songs which were composed entirely by mechanical means on a special kind of kaleidoscope known as a versificator. There was even a whole sub-section — Pornosec, it was called in Newspeak — engaged in producing the lowest kind of pornography, which was sent out in sealed packets and which no Party member, other than those who worked on it, was permitted to look at.

Three messages had slid out of the pneumatic tube while Winston was working, but they were simple matters, and he had disposed of them before the Two Minutes Hate interrupted him. When the Hate was over he returned to his cubicle, took the Newspeak dictionary from the shelf, pushed the speakwrite to one side, cleaned his spectacles, and settled down to his main job of the morning.

All rights reserved. This extract remains under copyright in the US and may not be distributed or reused in any way without permission from the Orwell Estate.

In 2016, in partnership with University College London, The Orwell Foundation brought together actors, writers, journalists and members of the public for a start-to-finish reading of the novel across a single day at Senate House (the original inspiration behind) 'Ministry of Truth'. The reading was opened by Richard Blair, Orwell's son, and you can watch it back on YouTube here.

George Orwell warned us about the dangers of a world without truth. From the prestigious Orwell Prizes to our exciting programme of public events and the innovative Orwell Youth Prize, The Orwell Foundation’s work to promote his legacy, and his values of decency, integrity and fidelity to truth, has never felt more urgent. Now, we’re growing our presence in the United States.

Earlier this year, we launched the American Friends of the Orwell Foundation, a new campaign that allows US donors to support our work directly. We have already begun to act in the US, with our exhibition, ‘Orwell and Truth’, currently free to view at New York University. With your support, we can go even further — from launching an annual lecture to establishing an Orwell Prize open to journalists based in the US — harnessing the authority and ambition this moment demands.

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