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Alfonso Cuaron’s resume speaks for itself and people should probably speak louder about it. Nearly 20 years ago, he took the core of P.D. James’ dystopian novel and crafted a film for the ages. Especially today. Morgan Gire and Erik Childress can’t help but gush a bit over Clive Owen along with the friendship that is forged with the young immigrant who may hold the, ahem, Key to humanity’s future.
Al Franken’s Stuart Smalley character was a hit on Saturday Night Live but not in theaters. Is it a comedy? Erik Childress and Morgan Gire debate that along with the arc of Vincent D’Onofrio’s Donnie and the mirrors the film may have held up to some of its audience provoking a negative response. But it is the relationship between Franken’s Stuart and Laura San Giacomo’s Julia that is the focus and…
It took 28 years but they finally made a sequel to Twister. New storm chasers, new research and a lot of the same old, same old. Instead of an estranged couple this time we meet estranged friends. Or are they? Erik Childress and Morgan Gire are joined by The Daily Herald film critic, Dann Gire, to put the relationship of Daisy Edgar-Jones’ Kate and Anthony Ramos’ Javi under the microscope. Does he…
Erik Childress and Morgan Gire dive into the inter-office dynamics of the trio within one of his favorite movies. James L. Brooks’ prescient look at the state of television media in the 1980s is matched by his rich characters played by Holly Hunter, William Hurt and Albert Brooks.
Morgan Gire and Erik Childress believe that this tale of loss and emotional heartbreak is deserving of a rediscovery. In this episode they discuss how it smartly handles grief and the downfalls of shielding children from the harsher realities of life; a ball which movies tend to drop. Plus at its center is one of the sweetest pre-adolescent friendship tales beautifully portrayed by Anna Chlumsky…
Is the friendship between Bill Murray and Scarlett Johansson in Sofia Coppola’s sophomore effort entirely on the up-and-up? Erik and Morgan discuss the implications of jealousy between friends as well as how survival instincts translate into relationships. Just what was Coppola trying to infer with her opening shot if anything? Disagreements over the film’s content range from her style of…
Shane Black made a little Hollywood history with his script for this movie even it’s not entirely the one he delivered. One element certainly not in dispute is the relationship between Geena Davis and Samuel L. Jackson is the rarefied platonic dynamic that the hosts seek out. Could even a brief shift alter the nature of their friendship or does it signal growth under temptation? Is this one of…
The late Ted Demme’s ensemble relationship dramedy was and remains a favorite by Erik, but is it by the end of this episode? The discussion with Morgan covers just how shallow its male characters may be and whether or not their female counterparts could do better with their lives. What constitutes average and our own sense of self-worth in a society that places emphasis on perfection and are these…
There are not many films that attempt to deal with a collection of individual women’s stories and Morgan presents this as Exhibit A. Erik has his counterarguments but Morgan makes her case for a film pushing back on the societal norms thrust upon women from an early age from the damage of playground myths to the pressure of getting married. The cliches of romcom’s past are revisited by the hosts…
Spike Jonze's Her remains one of the more profound films about loneliness. Together, Erik and Morgan discuss the elements of perfection and instant gratification, the psychological implications of a technological-free world and the underappreciated privilege of listening.
