
17: Cold Metal / Tycoon
On Clemente Castor's Cold Metal (2025) and Charlotte Zhang's Tycoon (2026), and on fiction as non-fiction and the cinema of the real
A space for new writing on underdistributed or overlooked non-fiction film and art, featuring articles by Matt Turner.
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On Clemente Castor's Cold Metal (2025) and Charlotte Zhang's Tycoon (2026), and on fiction as non-fiction and the cinema of the real

On Bani Khoshnoudi's The Vanishing Point (2025) and Morteza Ahmadvand and Firouzeh Khosrovani's Past Future Continuous (2025), and on homes and homelands

On Maxime Jean-Baptiste's Listen to the Voices (2024), and on the continual construction of realities

On Julian Castronovo’s Debut, or, Objects of the Field of Debris as Currently Catalogued (2025) and Armand Yervant Tufenkian’s In the Manner of Smoke (2025), and on essay films as attempts and efforts

On Pan Lu and Yu Araki’s Anachronic Chronicles: Voyages Inside/Out Asia (2021), and on the meaning of making home movies.

On Dane Komljen's The Garden Cadences (2024), and on good portraiture.

On Kumjana Novakova’s Silence of Reason (2023), and on speaking truth to atrocity.

On Miko Revereza's Nowhere Near (2023), and on leaving one home to find others.

On Theo Montoya's Anhell69 (2022), and on documenting the lives of dead friends.

On Kersti Jan Werdal’s Lake Forest Park (2021), and on oblique sorts of narratives.