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The puzzling rise in high-level science books for infants and toddlers.
Cultural news and criticism, and conversations about TV, theatre, movies, and music, as well as Goings On About Town listings from The New Yorker.
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The puzzling rise in high-level science books for infants and toddlers.

In films like “One Night Only” and “I Want Your Sex,” our prudish age becomes the scene of a crime.

We’d be happier, perhaps, if we found meaning not through abstractions but through the physical things around us.

A roundup of bars on boats and at the beach.

Trump claims that the institution has fallen into the hands of Marxist radicals. A stroll through the exhibitions suggests otherwise.

In the delicious heat, a summer breeze came and they fought as the woman sucked her ice cream through the bottom of her cone.

The New Yorker writer sings the praises of a little-known Canadian television series set at a Shakespeare festival—which happens to be her favorite show of all time.

“America, Actually,” a new offering from Vox, is trying to talk about politics without talking about the President. Is that even possible?

Lucas Ansel’s stop-motion short reveals a few fellow-drinkers’ deepest desires in this reimagined Shouts & Murmurs classic.

The early-childhood program faces a renewed assault by the Trump Administration.

For writers like me, who had crossed borders to arrive in the West, Ondaatje’s disregard for established boundaries taught us how to spell out our own liberation.

Be moved the old-fashioned way.

Few forces have proved as powerful at tempering A.I. use as public shaming has. Now Anthropic is making it even easier to determine if text was generated by Claude.

Struggles for personal and creative freedom fuel Shatara Michelle Ford’s second feature, about three women’s search for a friend gone missing.

The R. & B. megastars seem to think their genre needs saving. But from what?

In David Robert Mitchell’s film, starring Anne Hathaway and Ewan McGregor, a family is endangered not only by dinosaurs but also by the director’s penchant for Spielbergian nostalgia.

“The Yahoo Boys,” “Unsayable,” “Sunrise,” and “Skin Contact.”

What a nineteenth-century uproar reveals about our zeal for public shaming—and the truths that get trampled along the way.

The chain is attempting a wholesome revival. Will it work?

The irreverent comedy is the longest-running sitcom in history, yet has won no major awards. What gives?

A moment of stillness.

The Grammy-winning artist on coming out as nonbinary, writing requited love songs for the first time, and why their new album, “Hazel Eyes,” is their most personal yet.

“The Yahoo Boys,” “Unsayable,” “Sunrise,” and “Skin Contact.”

At Cynthia, an emphasis on low-waste cooking yields a menu of thrilling abundance.

Ella Langley’s chart-topping lament is about what everyone wants to do in mid-August: give in and let go.

A bevy of cultural sacraments marks our passage into adulthood, but the yawning decades beyond it unspool without ceremony.

Barbara Kopple’s documentary follows a generation of starlets, moguls, and other tanned partygoers who have no idea what tragedies and class anxieties lie in store.

In Patagonia, los puesteros look after other people’s livestock for not very much money, and sometimes go months without seeing anyone else.

The Vermont senator co-sponsored a bill that calls for a moratorium on building data centers. He discusses the environmental and economic concerns, and what the government can do.

By preserving her fertility, the youngest woman elected to Congress is facing trade-offs familiar to many women. By doing it publicly, she’s driving conservatives crazy.

Dave Green’s film about Wile E. Coyote’s quest for compensation sounds a note of zany triumph, having escaped, Road Runner-like, Warner’s attempt to cancel it.

If the world seems to waste our time, it’s partly because we view time itself as a resource to be extracted and optimized.

Culture preview: what’s coming this season in TV, movies, art, theatre, dance, and music.

The indie artist’s new album, “Lost Weekend,” is a document of both rupture and redemption.

Maybe there’s still hope for a new morning, for clouds that cluster like ripe grapes which, when squeezed, will release from the heavens the sweet streams of enchanted days.

And no one’s the wiser.
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In “Triage,” the writer explores how we should respond—or, perhaps, not respond—to a world in crisis.

Our editors and critics review notable new fiction, nonfiction, and poetry.

The Larry McMurtry novel is back in rotation; we asked our critics what book to pick up next.

There is nothing that speaks more to our perma-tabloid social environment than the advent of the live stream, which has allowed ordinary people to become both the celebrity and the paparazzi of their own lives.

A young auto racer brings speed and passion to small-town life in an unsung American auteur’s latest work.

Rummaging through the classics.

Season 3 of the “Game of Thrones” prequel ends with yet more bloodshed—and less of the charm that’s made Westeros worth visiting.

The protagonists of two films, an Anthony Bourdain bio-pic and a drama about a neglected poet, find themselves struggling with their writerly destinies.

The 1997 album marked a crossroads for hip-hop, as the genre was being torn between elaborate mythmaking and a kind of true crime.

The director’s adaptation of Bret Easton Ellis’s metafictional thriller-slash-gay-awakening story is a “Glee”-ified version of its source material.

The actor on meeting Stephen Sondheim, staging “Godspell” for the Pope, and the thrill, in the new Anthony Bourdain bio-pic, of playing someone “good.”

The 2013 Daft Punk track was uncannily evocative of the late nineteen-seventies, when I was young and dancing was my creed.

Both as a young busker and as a famous singer-songwriter, Hansard understood how to make people stop and listen and feel one single thing.

Elizabeth Meriwether’s new series, which follows a female killer seeking vengeance against a network of abusers, is brutal, nuanced, and, at times, surprisingly funny.