A Jump in My Chair
Thunder, a jump in my chair, pasta on my trousers. I smile. Sixteen years ago, on a riverbank, the same sound meant something else entirely.
These scribbles, my kaleidoscope of thought, shall reveal the way I perceive the world.
Thunder, a jump in my chair, pasta on my trousers. I smile. Sixteen years ago, on a riverbank, the same sound meant something else entirely.
At 22:53, I move through space and time, between my home, my memories and the people I love. Then, at 22:55, I return. Here, now.
An old, blurry photo brings back the memory of a walk through the thick fog - a protective blanket where the world fades away, sounds are muffled, and the only certainty left is your own thoughts.
An unexpected meeting on a hot morning, between a slow backup, an offered coffee, and the contagious serenity of someone who knows how to be grateful for life.
A black mug, never used in 22 years, outlives the park whose name it still carries. A coincidence, a moment of weightlessness, and the quiet pleasure of feeling lighter.
A blood pressure cuff, a worn folder with someone else's name on it, and the walks to the pharmacy through the freezing air. Winter is over, thankfully.
An empty wardrobe, a rescued pendulum clock, and a lingering scent in the kitchen. Closing a door, forcing the key a little, and leaving a piece of life behind.
I spent years trying to return to my city, only to understand that what I was looking for had disappeared long before I did.
A red envelope reopened after many years. A few pages, too many questions.
A forgotten cotton swab in an old cabinet brings back the memory of a terrifying afternoon on the road, the indifference of crowds, and the quiet dignity of a stranger's last day at work.
Anatoly's mother waits for her son's messages with the quiet, stubborn hope only a mother can have. In the space between one phone call and the next, war enters the house through silences, small gestures, and the unbearable weight of what everyone already knows.
A jolt before dawn, a terminal waiting in the dark, and the Monkey Island soundtrack pulling me back to a warm summer evening in 1991. The screen has always been my safe harbour - it just took me thirty years to understand why.
A chance encounter with Ivan Graziani in the mid-nineties, a nod I didn't deserve, and the years it took to understand what he already knew about our sea and the places we leave behind.
A snowy drive to a meeting that turned out to have nothing to do with IT - and a pizzaiolo who understood politics better than the politicians.
An anonymous white bottle in a 2001 photo brings back the sharp smell of adolescence - of treatments, hidden shame, and the night I looked in the mirror and finally saw what everyone else already had.