I sit down with socialist singer-songwriter Carsie Blanton to explore how unstructured freedom — from schooling, the music industry, and institutional religion — became the soil for her political and artistic radicalization. A stack of jazz records from her grandfather led to countless gigs, political organizing, and eventually to the Global Sumud Flotilla, where she and her comrades used dialectical materialism to assess risk—when they weren’t singing “Little Flame”.
NOTE: This is the finale of season 1! I’ll be catching up on rest and taking more family time for August but will be back on September 9th.

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