There’s a moment in every artist’s process that rarely gets talked about. It’s not the first brushstroke or the final signature. It’s the handover - when the piece leaves your studio and takes up residence in its new home.
By the time a painting leaves me, I’ve often lived with it for days, weeks, sometimes months. I’ve wrestled with it, loved it, hated it, questioned it, and finally arrived at the point where we both know it’s ready to fly the nest. But ready in my studio and ready in its forever space are two different things.
Installation is where the artwork’s next chapter begins. In the studio, it’s surrounded by my other works, jars of brushes, tubs of paints, intense color, bright lights and the hum pieces with a similar energy. In a client’s space, it breathes in a new way - picking up on the architecture, the lighting, the colors, and even the people moving through the room.
There’s always a moment of quiet surrender- of releasing it to fly confidently in the world, trusting it will hold its own. Once it’s on the wall, the piece is no longer mine in the same way. It’s part of someone else’s daily life - there to serve and offer up, catching their eye in the morning, sitting quietly in the background of their conversations, becoming part of their personal story.
And that’s the magic of context. A painting isn’t static; it changes depending on where and how it’s seen. A bold abstract that felt intense in my studio might soften in a sunlit living room. A quiet, neutral piece might suddenly feel commanding in a minimalist space.
Handing over art is both an ending and a beginning. It’s the final stage of my process and the first stage of the work’s life in the world. I think of it less as saying goodbye and more as letting the piece go to live the life it was meant for.
Because once the art leaves my hands, it stops being my story - and becomes part of someone else's.
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