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It's a different point of view; the ferns – jade veined, the trails of lake snails lettering muck, the camp-stove contrails, the iron lids over simmering light. It's a different brand of second sight; the balance between air exhaled and inhaled, as bats skim over pupil dark woods, and hurtle and trill and just clear the sheen of water.
Text within this block will maintain its original spacing when published
The tent walls billow inward, shudder; are permeated with dampness, labrador tea scents, rustlings of wild flag, and marsh five finger, and queen anne's lace. The grain of the canvas is shot through with castles and webs and constellations; the grain of the split wood coils into rough drawn faces and startled jays; the ash drops like a hidden city between the granite fire ring and the infinite spinning of space. We crouch near the blaze, waiting for the water in the speckled kettle to boil, flickering – mysterious – indifferent to the soot on our fingertips.
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