
Saying farewell to Levon Helm
For almost 50 years, Levon Helm brought me something that went beyond mere pleasure. He was a musician I loved and admired, in fact a heroic inspiration.
Writing by Trev Gibb and archived writings of Peter Stone Brown (1951 to 2019) a singer-songwriter, freelance writer, music editor for a Philadelphia alternative weekly, and onetime WXPN DJ as well as articles and Bob Dylan content from Trev Gibb.
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For almost 50 years, Levon Helm brought me something that went beyond mere pleasure. He was a musician I loved and admired, in fact a heroic inspiration.

He was without question one of the greatest guitarists.

Many of you come here for the Dylan content so I fully understand if you wish to file this one away, I already greatly appreciate you as readers and subscribers.
A deep dive on the phenomenon of the Bob Dylan black reaction-video community on YouTube and their refreshing take on classics and rarities.

They remind us that Dylan’s oft-repeated act of reinvention and creativity then and even now was not just to invent a new musical language, but to create through the rediscovery of an older one.
What the songwriter does, is just connect the ends. The ends that he sees are the ones that are given to him and he connects them.

Van Morrison has always been about finding that indefinable magic moment.
To me, the person who wrote the most moving lyrics was Bob Dylan, in the early days.
Who is that guy under that cowboy hat? And what’s that hair in a ponytail? That wasn’t there last night in Worcester, and neither was what appears to be a pretty long beard.
Listen to the show and read Peter Stone Brown’s review — He can still deliver when he wants and tonight he made a huge arena seem like club and that’s no easy trick.