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TIFF CEO Cameron Bailey Teases Toronto 2026 and How the New Market Will Stand Out from the Crowd

The festival head previews upcoming films on the latest episode of "Screen Talk," and we discuss Warnermount, the summer box office, and thoughts on "Tony."

How a Grassroots Campaign Helped Bring Back the Cinerama Dome

Save Your Cinema campaign leader Ben Steinberg joins IndieWire's "Screen Talk" podcast to talk about the recently resurrected Cinerama Dome.

At 66, Gregg Araki Is Still Indie Film’s Youthful Rebel

The director of "I Want Your Sex" tells IndieWire about how he's changed while still adhering to the DIY ethos of early punk rock classics like "The Doom Generation."

Emily Wilson vs. Christopher Nolan, and Why Literary Translators Don’t Make the Best Film Critics

On this week's "Screen Talk," we review Emily Wilson's "review" and discuss "Spider-Man: Brand New Day" and A24's "Tony."

Nick Antosca Made ‘Cape Fear’ His Own with Scorsese and Spielberg’s Blessing — and Their Notes

The showrunner of Apple's hit series tells the Filmmaker Toolkit podcast about working with Martin Scorsese and Steven Spielberg as producers, finding a worthy Max Cady in Javier Bardem, and why the finale deviated from the ending of Scorsese's 1991 film.

Critic David Thomson Asks: Have Movies Made Our Culture Worse?

The author of "A Sudden Flicker of Light" breaks down his provocative new book on this week's edition of IndieWire's "Screen Talk" podcast. Elsewhere in the episode, we break down the lukewarm Venice Film Festival lineup and what it portends for Telluride.

What ‘The Odyssey’ Gets Right and Wrong About Homer — and Also, Who Cares?

IndieWire Craft Editor Sarah Shachat joins this week's episode of "Screen Talk" to talk Homeric history and how Christopher Nolan bends the epic poem to tell a new story about the decline of civilization.

Why ‘Industry’ Got Robbed at the Emmys, and More Thoughts on This Year’s TV Nominations

IndieWire's Awards Editor Marcus Jones joins the "Screen Talk" podcast this week to break down the 2026 Primetime Emmy nominations.

‘Gail Daughtry’: Inside the 7-Day Writing Exercise That’s Produced Three Feature Films

David Wain and Ken Marino break down how they went from having “no concept” to a completed first draft of “Gail Daughtry and the Celebrity Sex Pass” in a week.

What Neon’s ‘Artificial’ Buy Could Mean for Awards Season

Plus, we look at the latest box office developments on IndieWire's "Screen Talk" podcast.