Every Number One in the NME Indie Charts
One week at number one on 9th April 1988 This is the first time Vince Clarke has been number one on the NME Indie Chart since 1983, when The Assembly reached the top spot with “Never Never”. It feels as if the cultural bulldozers have flattened the land and rebuilt on it twice over since then; in Indie terms, he was sharing chart space with anarcho-punks, Oi! urchins, Toyah and Tom Robinson when…
Three weeks at number one from 19th March 1988 Sometimes – often, in fact – I find myself wondering what “pop music” is, and what the word really means. If you want to be blandly factual about it, it just means “popular”; so one week pop music could mean Laurie Anderson’s “O Superman”, the next “I Should Be So Lucky” (XTC’s single “This Is Pop” seems to favour that notion). On the other hand, if…
Three weeks at number one from 27th February 1988 “This? Is this what people are listening to now? A record with a bleeping digital watch as the chorus? Jesus Christ… the whole thing’s like being trapped in an amusement arcade. It’s awful, I give up, you’ve all gone bloody mad.” - my mother hearing “Beat Dis” for the first time, 1988. I was absolutely fascinated by that reaction when this record…
Three weeks at number one from 6th February 1988 Sometimes releasing a unique, spellbinding single as your debut can be disadvantageous; it can end up defining a group or an artist beyond reasonable bounds. In the case of The Sugarcubes, “Birthday” may have dominated the indie charts for months and caused Cocteau Twins fans to have spasms, but anyone who bought the twelve inch version will also…
One week at number one on 30th January 1988 Casual dismissers of eighties music usually refer to the over-produced “sameyness” of the era. I’ve always been a little bit gobsmacked by that assertion – yes, the MOR and AOR aspects of the decade’s middle period occasionally suffered from a weird, suffocating and dispassionate smoothness, and there was a tendency to either overlook or airbrush guitar…
One more week at number one on 23rd January 1988 Throughout the Autumn of 1987 and the winter of 1988, "Birthday" was the single which just wouldn't lay down and die - modest sales of the record dripped in week after week, which meant very little in "big chart terms" but remained enough to be a threat to the Indie Number One spot. The week it happened to reclaim the top spot in January is also a…
Three weeks at number one from 2nd January 1988 While we were discussing the entry for “True Faith” on Bluesky, a number of followers jumped in to offer early praise for this follow-up single. This caught me off guard. I have a rule to myself that I won’t discuss future blog entries on social media; for one thing, I don’t want to pre-empt the contents, and for another I’m conscious of ripping…
There's a pattern to 1987's indie chart I've appreciated experiencing slowly, and in depth, as I've written this blog. It starts with business as usual and lots of abrasive indie guitar bands topping the listings, then slowly morphs as sample culture and hip-hop and House music take hold - firstly in subtle ways, such as through the various Grebo crossover artists, then eventually with "Pump Up…
Three further weeks at number one from 12th December 1987 The way "Birthday" sold in late 1987 was downright peculiar, even by cult indie standards. In a similar fashion to This Mortal Coil's "Song To The Siren" - with whom it possibly shared a few fans - it kept selling modestly week in week out, selling a thousand copies here and there. While other indie records were swift fanbase sellers in…
Three weeks at number one from 21st November 1987 If there’s one thing very few Smiths singles had, it was a touch of sleaze. They were often contemplative, yes. Weary, occasionally. Sardonic, sure. Spiky and provocative, maybe. Even at their most heavy-handed and sledgehammer-happy, though, The Smiths rarely sounded like greasy backroom razzle-dazzle. “I Started Something” could be the exception,…
One week at number one on 14th November 1987 On a scorching summer day in the mid nineties, I was sat in the park with an ex-goth, swigging from a cheap bottle of wine, testily asking him about the old days. I was merely curious and didn’t intend this to be a form of psychological torture, but I watched his cheeks get steadily pinker in tone as he stammered his way through the ‘old lifestyle’. I…
Two weeks at number one from 31st October 1987 As a kid, I developed a strange fascination for the furthest flung bits of the globe – the sparse, underpopulated areas which contained people I’d never met, whose beliefs and customs I’d never been exposed to. Living in London, I’d been introduced to all kinds of non-British people, even if they were just being irritating tourists in the street, but…
Six weeks at number one from 19th September 1987 It’s a summer evening in 1987 and I’m stood on the doorstep to my parent’s garden. I'm gazing towards the fir trees at the rear, taking in the sun’s last rays and idly listening to Radio One burbling away. My Mum’s kitchen radio was a cheap and nasty thing, all treble and top-end, seemingly designed to emphasise the hiss and static of poorly tuned…
New Order: One more week at number one on 5th September 1987 The Smiths: One more week at number one on 12th September 1987 Here the record buyers go again, ruining the natural cut and flow of my blog with their historical purchasing decisions. As we've seen before, rebound number ones are very common in the NME Indie Chart - sometimes because a record doesn't immediately realise its full…
One week at number one on 29th August 1987 Sometimes, amidst a string of often more noble efforts, one particular single becomes a catchphrase in a band’s career. It’s not necessarily their best single, or the most advanced, or even their biggest hit; it’s the one that seems, rightly or wrongly, to define their whole ethic to the Mums, Dads and "squares". While watching “The Chart Show” in the…
Three weeks at number one from 8th August 1987 In the eighties, New Order never really seemed like the kind of group to embrace the idea of a "Greatest Hits" album. Snapping all their 45rpm moments into one neat, consumer-friendly brochure for casual shoppers seemed a strange idea for a group (and record label) who were against the idea of even advertising their new releases. Nonetheless, 1987 saw…
One week at number one on 1st August 1987 It sometimes feels as if people were mourning the death of the hippy dream within five minutes of the whole thing starting. I’m exaggerating for effect, obviously, but the nostalgia and regret seem to start fairly sharply. Thunderclap Newman’s 1969 number one “ Something In The Air ” drips with desperation – the line “ We have got to get it together ”…
Five weeks at number one from 27th June 1987 When I started writing this blog, I did idly wonder what the hundredth number one might be, and promised myself that I wouldn’t draft a full list in advance and project ahead. That would spoil the beezer surprise for me, after all – supposing it’s a really appropriate, “era defining” classic? Or, even better than that, something the indie-kids would get…
Two weeks at number one from 13th June 1987 Pop Will Eat Itself are one of the few groups I can vividly remember entering and exiting my life. The first memory involves me joyfully taking my meagre paper round money to HMV, rushing to the “P” section in the racks and finding a copy of their album “Box Frenzy”. “This is the stuff!” I thought while looking at the cheaply designed sleeve (complete…
Three weeks at number one from 23rd May 1987 “If this was video, we could forward all the crap”. When people talk about the indie charts in the eighties, they often think in terms of the press headlines, the dominant idea of alternative music; groups with guitars, to borrow a phrase from a long retired Decca A&R man. While they were often wrapped in a bright mesh of electric guitar based sounds,…
Four weeks at number one from 25th April 1987 Prior to the release of “Sheila Take A Bow”, it might have felt as if The Smiths were treading the backwards path, understanding their initial appeal and returning to their original ideas. Craig Gannon was out of the group, and previous single “Shoplifters of the World Unite” was (instrumentally speaking) chock-full of Smiths tropes, all bowed together…
One week at number one on 18th April 1987 Where do I even begin with Wire? Getting the chance to write about one of my favourite bands is both a blessing and a curse; a blessing because I want less enlightened readers to understand just why they’re so special (of course). Also a curse because groups you have spent most of your lifetime admiring become strangely hard to pin down. You know you love…
One week at number one on 11th April 1987 By the late eighties, the goth movement – if it could sensibly be called a "movement" – had become one of the most unbudging aspects of alternative music. I’ve now spent over two years writing this blog, covering six years worth of music; goth was there from the off with Bauhaus and The Birthday Party, and their surviving (metaphorical) kin and offspring…
Three weeks at number one from 21st March 1987 BAMALAMALAMALAMA…. Rarely do singles begin with such an abrasive attack of guitars, right from the very first second, before putting their bristles down again. Most groups, even alternative ones, are aware of the need to consider the delicate sensibilities of radio listeners and save their noisiest moments for later on in the single. Coventry’s The…
One week at number one on 14th March 1987 “My favourite song has to be My Favourite Dress. David has managed to perfectly distil the tortuous agonising feelings of jealousy into three minutes of angst. The guitar hook is pretty great too.” – Sir Keir Starmer. Well, there you go; not my words, but the words of the Prime Minister (presumably still the case, by the time this goes live). If you ever…