There's a twenty-minute window after sunset when Tokyo transforms. The neon hasn't fully awakened, but the sky holds onto its last traces of deep blue. This is when I found the shot I'd been waiting three days to capture.
The morning fog was supposed to lift at dawn. Instead, I waited in the cold, watching the landscape shift through invisible layers until the light finally broke through.
The best portraits happen when walls come down. I've learned that the camera is secondary to the human connection that makes someone truly present in front of the lens.