So much joy and pride to work on a new style for Lowlands festival! Stay tuned for design updates throughout the year. br / br / img src="https://payload.cargocollective.com/1/4/141896/14627109/LL26_Website-homeDigital_1000.jpg" width="905" height="1159" width_o="2560" height_o="3280" src_o="https://payload.cargocollective.com/1/4/141896/14627109/LL26_Website-homeDigital_2560.jpg"…
Cover for Swiss newspaper magazine Das Magazin to depict the blurry defition of the word gender. br / br / img src="https://payload.cargocollective.com/1/4/141896/14626063/DasMagazin-Gender-IMG_3612_1000.jpg" width="905" height="679" width_o="2560" height_o="1920" src_o="https://payload.cargocollective.com/1/4/141896/14626063/DasMagazin-Gender-IMG_3612_2560.jpg" data-mid="80490500" border="0"…
For Museum Boijmans Van Beuningen, Esmée Dros and I designed the publication for the exhibition Beyond Surrealism. The essay is presented bilingually in slanted columns, with a distinct color and typeface for each language. The exhibition, featuring works by six contemporary artists in dialogue with surrealist highlights from the collection, was photographed by Natascha Libbert. br / br / img…
Poster for the film The Desert of the Real by Luuk Bouwman, a documentary about psychosis, fiction and perception. br / br / img src="https://payload.cargocollective.com/1/4/141896/14616573/TheDesert-Poster-IMG_3047_1000.jpg" width="905" height="960" width_o="2000" height_o="2122" src_o="https://payload.cargocollective.com/1/4/141896/14616573/TheDesert-Poster-IMG_3047_2000.jpg" data-mid="80454604"…
In 2016 I designed a 58 meter perforated steel fence for the cargo side of Schiphol Airport. In 2025 I was asked to design an extension for a speed gate and a waiting room. Both in perforated steel. br / br / img src="https://payload.cargocollective.com/1/4/141896/14613986/IMG_0322_1000.JPG" width="905" height="679" width_o="2016" height_o="1512"…
While being students at the Rietveld Academie Michiel Schuurman and I initiated a magazine about books. It all started with the question if books would survive in the digital age. Interviews, editing, design, production and distribution was in hands of the enthusiastic designers, who were not always competent on every level... br / br / For the content of the magazine we had interviews with second…
In 2000 we had Experimental Jetset as teachers. For their assignment we had to make a fanzine about something we were fanatic about, I chose my grandmother (b. 1922). br / Even though this work is already quite old, I still show it to students. Not only to show off, but also because it was the very moment I got a click with graphic design. We had to produce this fanzine in a print run of at least…
In 2003 the VPRO (Dutch broadcasting company) decided to commission their annual reports to graduation students of Dutch art academies. The Rietveld Academie was first, and I was the lucky one to design it. It was my first real assignment and very educational. I made sure to have 100 copies to hand out during my graduation show. It turned out to be a good way of doing acquisition for future…