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Glasshouse

a modern music magazine for the listeners, not the industry

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Ninajirachi and Porter Robinson Give Malware a Voice

A review of "WannaCry," a love song sung by a worm

Daisy Chain Spotlight: National Institute for Reproductive Health

Glasshouse talks with NIRH President Christian LoBue to discuss going on offense for reproductive freedom, why the real fight is happening at the state and local level, and what Birth Justice mean

The Daisy Chain Spotlight: National Women's Law Center

Glasshouse sits down with Chief External Affairs Officer Uma Iyet to discuss gender justice, the fight to defend Title IX, and the TIME'S UP Legal Defense Fund

Body Type: Annabel Blackman Interview

Body Type's Annabel Blackman on twee, tarot, and turning ten.

Incel Music Isn't Real

Reflecting on the comforting limitations of self-identification

The Daisy Chain Spotlight: Planned Parenthood

Glasshouse sits down with PPFA's National Director of Arts and Entertainment Caren Spruch to talk about art, activism, and why artists are Planned Parenthood's most powerful allies

Lovesweet Has Arrived, and girlsweetvoiced Is Here to Stay

On her debut LP, the Canadian-born singer-songwriter showcases her lyrical chops and invites listeners into a distinctly dreamy world of her own creation

Where Are All the Black Pop Stars?

Black artists built pop. Why won't the industry call them pop stars?

The Daisy Chain Spotlight: National Domestic Workers Alliance

Glasshouse sits down with Media Relations Director Daniela Perez to discuss domestic workers, the fight for labor protections, and building a care economy that works for everyone

Joni Mitchell's Farewell to Jazz

Joni Mitchell's Mingus is her most beautiful, most uncomfortable album. Here's why it's worth listening to anyway