The front is: using your corporate voice to estimate bandwidth, get stakeholders out of the weeds, and line ducks in a row, so you can move the needle, think outside the box, and muster the courage at happy hour to hint at a promotion.
The back is: spitting f-bombs, muted and video off, because once again Cranky Cathy has denied your budget request.
The front is: your family’s holiday card with everyone photogenically laughing in front of a brand new pizza oven and renovated backyard.
The back is: your tucked away double chin, a rusting oven, and contractors who ghosted you.
The front is: a job title with big words and letters behind your name.
The back is: what am I doing with my life, who decided I am capable of running a household, I would like to step down from this position please, let’s bring in someone more qualified, why am I so volatile, is it hormones, pre-diabetes, is it because I’m a Gemini???
The front is: Big. News. Scary. Headlines. Taylor and Travis.
The back is: an incomplete crossword puzzle. Who is the only person in the arts ever to be named Time’s Person of the Year?
The front is: painting your nails with OPI Bubble Bath.
The back is: biting your nails in the bath.
The front is: manic pixie dream girl.
The back is: just girl.
The front and back is: the both/and, peculiar essence of the truest you.
Thank you for reading!
For the animations, I started by drawing on paper with alcohol markers and letting the ink run out (no such thing as waste). In between marks, I scanned both the front and back of the paper. I used Photoshop’s animation timeline to string the frames together.
I was inspired by Estee Zales’s experiments with alcohol marker and the layered look of Orysia Zabeida’s animations.
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