source? : Shadow Price's bibliography

Curious about where my research came from? Well it’s your lucky day :)

TIME

The Dream-Eaters

The poem uses Andri Snær Magnason’s concept of breaking down the climate crisis into time and water. He uses lifespans to quantify long durations of time and, in one example, places his grandmother and child at the same table, representing two hundred years across the past and future.

The Whale

The background on the human lifespan is from “Humans Could Live up to 150 Years, New Research Suggests” by Emily Willingham.

The information on the carbon conversion of whales is from “A strategy to protect whales can limit greenhouse gases and global warming” by Ralph Chami, Thomas Cosimano, Connel Fullenkamp, and Sena Oztosun.

Birthday Poem

The term “climate change denial” was first used in the year 2000, according to the Merriam-Webster dictionary.

THE PLOT

The information on pests and pesticides is sourced from:

• “Denser forests across the USA experience more damage from insects and pathogens” by Christopher Asaro, Frank H. Koch, and Kevin M. Potter;

• “UMass Extension Landscape,” Nursery and Urban Forestry Program of the University of Massachusetts Amherst;

• “Limiting the impact of insect pests on urban trees under climate change” by Samiya Tabassum and Anthony Manea;

• “Urban tree isolation affects the abundance of its pests and their natural enemies” by André Garcia, Pedro Gonçalves Vaz, José Carlos Franco, Pedro Nunes, Hervé Jactel, Manuela Branco;

• Forest Microbiology: Tree Diseases and Pests by Kai Wang, Iiro Miettinen, Emad H. Jaber, Fred O. Asiegbu;

• Advances in Insect Physiology Vol 58 by Enric Frago, Sharon E. Zytynska, Nina E. Fatouros;

• Dr Nadina Galle’s doctoral research, “The Internet of Nature”;

• and“Environmental and Health Effects of Pesticide Residues” by Sajjad Ali, Muhammad Irfan Ullah, Asif Sajjad, Qaiser Shakeel & Azhar Hussain.

Cloud seeding is a weather modification technique that induces rain, and has been used historically to infuse rainwater with silver iodide for military operations.

The history of European and Indian forest management is sourced from:

• “Deep roots: A conceptual history of ‘sustainable development’ (Nachhaltigkeit)” by Ulrich Grober;

• “State Forestry and Social Conflict in British India: A Study in the Ecological Basis of Agrarian Protest” by Ramachandra Guha and Madhav Gadgil;

• “The Forest Act of 1878,” the Indian Ministry of Culture; “Contesting the Resource: The Politics of Forest Management in Colonial Burma” by Raymond Leslie Bryant; “The Origins of Timber Plantations in India” by Brett M. Bennett;

• “Sustainable Forestry Science: Wilhelm Philip Daniel Schlich’,’ the Biodiversity Heritage Library; “Sustainable Forest Management - a principle developed in Central Europe,” the Sommerauer Forest Sector Advisory Services;

• “Evolution of Silviculture Thinning: Rejection to Transcendence” by Boris Zeide; “Pre-Colonial and Colonial Forest Culture in the Presidency of Bengal” by Somnath Ghosal;

• “The British Art of Colonialism in India: Subjugation and Division” by Aziz Rahman, Mohsin Ali, and Saad Kahn;

• and “Teak conquest. Wars, forest imperialism and shipbuilding in India (1793-1815)” by Lucas Sérougne.

The history of rubber plantations in India are sourced from:

• “From plantations to reserve forests” by Anil Kumar M;

• and “Growth of Rubber Plantation in India - An Overview” by Sukanta Sarkar.

The stanza on logocentrism uses information from “Betraying empire: Translation and the ideology of conquest” by Vicente L. Rafael.

The information on current forest management and agriculture is sourced from:

• “Managed to death: How Canada turned its forests into a carbon bomb” by Barry Saxifrage;

• “Environmental impacts of glyphosate in Ontario’s forestry industry” by Olyvia Foster;

• “The constraints of selecting for insect resistance in plantation trees” by Martin L Henery;

• and “Plant Defense against Herbivorous Pests: Exploiting Resistance and Tolerance Traits for Sustainable Crop Protection” by Carolyn Mitchell, Rex M. Brennan, Julie Graham, and Alison J. Karley.

The information on climate debt susceptibility and colonial emissions is sourced from:

• “Avoiding ‘Too Little Too Late’ on International Debt Relief” by Lars Jensen;

• “Revealed: How colonial rule radically shifts historical responsibility for climate change” by Simon Evans and Verner Viisainen;

• “Analysis: Which countries are historically responsible for climate change?” by Simon Evans;

• the Global Carbon Project’s fossil CO2 emissions dataset by Robbie M Andrew and Glen P. Peters;

• “How do CO2 emissions compare when we adjust for trade?” by Hannah Ritchie;

• “Decoding Modern Colonialism: The Sovereign Debt Quagmire in the Global South” by Rameen Siddiqui;

• the Debt Relief for Green and Inclusive Recovery (DRGR) Project Report: Defaulting on Development and Climate – Debt Sustainability and the Race for the 2030 Agenda and Paris Agreement.

The information on the progression and future of climate change is sourced from:

• “Greatly enhanced risk to humans as a consequence of empirically determined lower moist heat stress tolerance” by Daniel J. Vecellio, Qinqin Kong, W. Larry Kenney, and Matthew Huber;

• “Quantifying Global Greenhouse Gas Emissions in Human Deaths to Guide Energy Policy” by Joshua M. Pearce and Richard Parncutt,

• The Institute for Economics and Peace’s Global Peace Index 2024 report and Ecological Threat Report 2023;

• “Climate change and displacement: the myths and the facts” by Kristy Siegfried;

• and “Global temperature is likely to exceed 1.5°C above pre-industrial level temporarily in next 5 years” the World Meteorological Organization.

“There is no scientific difference between a bomb dropped in a time of peace and in a time of war,” is a quote by Dr. Rebecca Hogue from her “’Anneal this Breath’: Reading Glass, Poetics, and Nuclear Genealogies with Yhonnie Scarce in South Australia” seminar.

The information on Aristotle’s theatre is sourced from August Boal’s Theatre of the Oppressed, and Fargo Naissim Tbakhi’s interpretations in “Notes on Craft: Writing in the Hour of Genocide.”