An essay supposing machines come to make better art than humans - and finding that what they cannot take is the making itself: by foreclosing every external reward for art, the machine returns it to its original function as a contemplative practice.
A generative art project on fxhash (with Doppelganger): algorithmically grown trees whose binary roots sprawl into soil - eight outputs, each a node in an ever-expanding forest.
An audio collage set against John Cage's composition, with Marcel Duchamp on devaluing art as object - an essay on art's swing between the aesthetic and conceptual regimes.
A research project questioning the roles of composer and performer: graphical river scores (Danube, Nile, Ganges, Los Angeles) realised as recorded compositions.
A series of paintings made with fragments of broken umbrellas and iron filings that rust into the paint over time - the oxidation itself completing the work.