
Portrait of a Vulcaniser as Signage
The Vulcaniser Atlas, On Kawara, and a decentralized museum with no walls
Projects, reflections, and research from Dela Anyah’s practice in sculpture, installation, and material exploration.
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The Vulcaniser Atlas, On Kawara, and a decentralized museum with no walls

A long-term documentary project tracing the transient workshops that sustain Ghana’s mobility.

Repositioning discarded inner tubes as commodities through market display

An exploration of Dela Anyah's 'Homecoming' series and the transformation of utilitarian spaces into sites of artistic dialogue.