Santu Mofokeng kept the photograph open to what it could not prove

This site does not allow itself to be embedded. You can still read it on the original site — the toolbar below keeps your place in the directory.

An artist profile tracing how Train Church, The Black Photo Album, and Mofokeng's charged landscapes made documentary photography hold history, belief, and uncertainty without forcing them into one proof.

Read on cronfeed.work ↗