
Thank God for the Autumn
ready to come alive again so I quit my job (in this economy, I KNOW)
A pick and mix of words and images, not at all consistent but always delicious by the author of 'SUGAR, BABY'.
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ready to come alive again so I quit my job (in this economy, I KNOW)

I will always maintain that there is a significant difference between being an artist and being a business person.

Hope you love it as much as I do

This May I attended my first Cannes Film Festival with the vague objectives of finding investment for the short film I’ve written and stirring up potential collaborators for my other projects.
Available to request now on NetGalley

A visual poem about the undiscovered starlets who flock to Cannes to bask in the unrepeatable glamour of becoming.

Female rage is unbound in this dark & glamorous tale about a self-created femme fatale

Godmother, muse, constant friend. For as long as I can remember, I’ve been infatuated with the moon. She’s been a silent witness to my life, we’ve had conversations together. I like the way she listens quietly, glowing with ancient wisdom. I find her presence comforting. And the moon is definitely a ‘her’. I knew she was a she before I ever got into astrology. Although my

He put his fingers on my heart, the middle finger and the index finger. Right on my heart. I’d never been touched by a guy before, least of all there.

The night I turned into a star

The writer's need for immersion, isolation and an anthropologist's mentality

Reminiscing on the bliss and terror of being a sixteen-year-old girl. Being sixteen was a state of mind. To me - at that time and even now in retrospect - a state of perfection. We were sixteen and it felt like we were stars burning at our brightest. Every year after sixteen we were doomed to dwindle towards extinction.

'Venus sparkled at us from a peach-coloured sky like a lone diamond'

On being a divisive author

Marigold is strange, beautiful and on the run.