Hello, everyone. April is upon us, the sun is out in Northern California, and our latest notable earthquake (4.7) shook the house but didn’t do any visible damage.
I have a book update—it has been a minute! I’m not a fast writer (obviously). My pace tends to be glacial, no matter how many promises I make to myself to write faster.
During the last couple of months, I did one final rewrite on a novel that has been five years in the making, turned it in to my publisher, and got the all-clear. The book, an espionage novel set in Paris, inspired by my years there as a “trailing spouse,” is now slated for publication in early 2027. It’s a sequel to The Wonder Test.
I’ll get the copyedit on the Paris novel back later this month. Copy editors are the unsung heroes of publishing. They catch a thousand little things that, through dozens of revisions, have gone unnoticed. One biggie for me is syncing the story to a calendar: was it February in Chapter 6 but suddenly we’re back in December in Chapter 7, even though the narrative is linear?
The most complicated edit I ever put a copy editor through was for The Year of Fog, which begins with a child disappearing on Ocean Beach in San Francisco, and then ticks down the days since the disappearance as the search unfolds. With the copy editor, I had to decide on an actual year, and then she meticulously checked every day in the book according to that calendar year.

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