Are we talking to you? Yes we are. The C21Podcast features discussion about the global content business, from panel talkshows to interviews with people defining the future of international entertainment. Listen here or subscribe to C21Podcast wherever you get your feed.
RTL Netherlands creative lead Ralph de Beurs reflects on the present and future state of unscripted TV, as part of our C21Formats100 series [01:50]; Finite Films AND TV's Amy Gardner and Paddy Hughes on working with Channel 4 and North Sails and the branded entertainment renaissance [21:32]; and Pure Flix co-founder Michael Scott on his new faith-based media venture EKKL [42:39].
Former Amazon MGM Studios unscripted chief Barry Poznick reflects on how the TV formats landscape is changing as YouTube continues to grow and on his new venture Idea Maze Entertainment [01:49]; and The Sidemen's Shannon Royal discusses the YouTube collective's recent World Cup collaboration with the BBC and with Amazon Prime Video on culinary competition show SideMenu [28:44].
Pantheon Media Group and Velvet Hammer Media's Jennifer O'Connell on the present and future state of the TV formats market, featuring as part of our C21Formats100 profiles [01:26]; and National Geographic's Tom McDonald on new docudrama Pompeii: Out of Time with Tom Hiddleston, and his current commissioning priorities [24:33].
Signal.Stream's Wouter van der Pauw on how the Dutch digital-first formats house behind Let's Play Ball is developing IP on YouTube before bringing it to TV and opening its processes to third parties [01:33]; and 12 Years a Slave's John Ridley [23:13] and Lost's Carlton Cuse [37:30] on the present state of the scripted market in a post-strikes streaming era, with microdrama and sports sucking up…
Fox Entertainment Studios' Allison Wallach on working with BiggerStage in Ireland and why the Masked Singer maker is doubling down on its use of overseas production hubs [01:28]; and Red Pony Pictures' Beliban zu Stolberg [14:39] and AI filmmaker Esther Gronenborn [35:35] on why they believe the European microdrama scene will diverge from the burgeoning Chinese market.
Arrow Media's John Smithson and Northern Pictures' Karina Holden on their new ABC and Amazon Prime Video film Rolf Harris - Primetime Predator, and the complexities of funding documentaries right now [01:25]; and Allied Global Marketing's Adam Cunningham on the questions execs are asking about the future of the industry behind closed doors, but rarely raise when up on stage [23:33].
SUNNY SIDE: From La Rochelle, C21's Clive Whittingham assesses Sunny Side of the Doc 2026 [01:18]; organiser Aurélie Réman on how the event was saved but now faces new uncertainty [20:39]; Zandland's Ben Zand on the challenges traditional documentary makers face as YouTube takes over TV [32:05]; and Pernel Media's Céline Payot Lehmann on the growing use of AI and sailing down the Nile with David…
From the Monte-Carlo Television Festival in Monaco, Michael Hirst on his experiences of writing, including together with his son on new Amazon Prime Video drama Bloodaxe [01:50]; Four Weddings and a Funeral and The Mummy star John Hannah on his new 5 drama Benidorm is Murder [25:28]; and former YouTube EMEA originals chief Luke Hyams says the platform's successor may be just around the corner…
From Seriencamp in Cologne, actors Helena Zengel, Lucas Gregorowicz and Luise Heyer on the present state of German TV drama and their new series Westend Girl [01:50]; The Difference Machine's Elena Lyubarskaya on using AI to generate TV, vertical entertainment and immersive experiences [12:14]; media strategist Bo Zhang and writers Kerstin Höcker and Rahel Dietze on how microdramas are catching on…
Mr Nobody Against Putin producer Radovan Síbrt on the Oscar-winning documentary's impact and the battle over public broadcasting in his native Czech Republic [02:05]; Yellow Dot Studios' Staci Roberts-Steele on tapping into OnlyFans to tackle climate change [20:38]; Ample Entertainment's Ari Mark on why unscripted prodcos need to embrace self-funding, rights retention and direct audience…
