
It’s Not the Pregnancy. It’s the Predictability
I’ve read a bunch of novels recently where an unwanted pregnancy is the plot’s load-bearing wall.
Hard truths, solid tips, and zero fluff for fiction writers tired of spinning their wheels.
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I’ve read a bunch of novels recently where an unwanted pregnancy is the plot’s load-bearing wall.

On AI detectors, and why the burden of proof is landing on exactly the wrong person.

A librarian mother, a lake town with no TV, and the books that became my whole world.

I have this conversation with writers at least once a week.

You’d think revising, the hard part for most writers, is the thing everyone’s desperate to finish.

I’ve been reading Carl Hiaasen this week because…escapism!

I don’t think the publishing gods huddled in a bland conference room in some NYC skyscraper and said, let’s drain all the joy out of literature and see what happens. But somewhere between the rise of prestige television, the literary trauma memoir, and BookTok’s well-documented obsession with books that make you cry in public, funny stopped being a serious category.

An author friend of mine emailed me a few weeks after her launch to report that her publisher’s marketing update had consisted of three words:

Friends? BookTok? Library?

(I am, obviously, talking to myself. So…welcome!)

Mac Barnett, National Ambassador for Young People’s Literature, recently wrote that roughly 94.7 percent of children’s books are crud.

Experience unwelcome.

If You Serve Up a Cliché, You Better Bring a Side of Something Fresh

There’s a particular kind of feedback that authors collect in early drafts that feels so good it should probably be illegal.

There's a word for knowing exactly what you need to do and doing everything else instead. It's called akrasia. Here's what actually helps.

The publishing industry is chaos right now. Sometimes the most useful thing you can do is go back to the simplest question: why do you write?

Harlequin just licensed 40 romance novels for AI-generated microdramas. What does this mean?

How to survive the onslaught of AI generated book slop competing with your legitimate novel.

What happens when the publishing pipeline is fully driven by AI? Selection, edited, sales, marketing, amd so one. Doesn't feel like anything good.

In a recent Publisher’s Weekly article about Macmillan’s newly appointed CTO, a new AI-driven product called Essence is described as helping “publishing teams understand and assess manuscripts more efficiently.”

The stigma was real.