Who Really Controls Hollywood? ⭐⭐⭐⭐⭐

Last week, Germany tried to ban the film Citizen Vigilante, a story about an American expat who becomes a vigilante in a European city drowning in migrant crime. The film opens with a dedication: “To the thousands of rape and murder victims in Europe who were betrayed by our legal system.” The film was effectively blocked from distribution in Germany. The board’s stated reason:“incites violence against migrants.”

This film was inspired by a real case — Hamburg, 2016, where a group of teenagers gang-raped a 14-year-old girl and left her for dead. The perpetrators received suspended sentences under juvenile law. German media coverage focused, in Boll’s words, on “the poor perpetrators,” and hid the pattern Germany spent years refusing to name. On New Year’s Eve 2015, over 600 women were sexually assaulted in a single night in Cologne — groped, robbed, and raped by groups of men with North African and Arab backgrounds.

An internal federal law enforcement study, leaked to a Swiss newspaper, found that asylum seekers committed approximately 7,000 sexual assaults between 2015 and 2023, representing 2.5% of the population but 13.1% of all sexual assault suspects. In 2023, there were 761 registered gang rapes in Germany — nearly two per day. By 2025, reported rapes had risen to nearly 14,000 cases — a 71% increase from 2018. Berlin’s own police chief stated: “Violence in Berlin is young, male, and has a non-German background.”

The Hamburg girl was fourteen, and the attackers walked free. Germany’s film board banned the movie made in her honor. Elon Musk put it online, and 10 million people watched it in 48 hours. The Citizen Vigilante is a story about what happens when the culture that is supposed to tell the truth — governments, cinema, and mainstream media — decides that some truths are too important to stay hidden, even at the price of terror and rape. 

Britain is following the same script of protecting the collective identity of its rapists in the name of inclusion. The BBC series Inside Man opens with an extended train scene: a white man, of course, assaulting a black woman. The white man is the predator; everyone else is a hero and a victim. The reality Inside Man does not show you: in England and Wales, a woman is raped every hour. The perpetrators are overwhelmingly men from communities the BBC has decided not to vilify. The BBC knows this, but why bother you with reality?

And there’s Adolescence, Netflix’s most-watched series of 2025, which Keir Starmer personally backed for mandatory screening in every British school, tells the story of a 13-year-old white boy who stabs a female classmate. The motive, as the show frames it: he was radicalized by the manosphere, by incel forums, by Andrew Tate.

The case bears a striking similarity to a real case. A 13-year-old Black boy named Hassan Sentamu stabbed 15-year-old Elianne Andam at a bus stop in South London in September 2023 with a kitchen knife. But, of course, why reflect reality when you can use your narrative's favorite villain, and in the Netflix version, the killer became white. The creators say it was not based on one case, but the similarities were too hard to ignore.

One month after the show aired, a 13-year-old boy entered Kingsbury High School in north London, sprayed pepper spray in a classroom, and stabbed two boys — aged 12 and 13 — while shouting “Allahu Akbar.” He stabbed one victim in the neck, causing a spinal fracture that required surgery. He was arrested while hiding near a mosque, with his phone containing footage of the attack. He was charged with two counts of attempted murder. But Netflix did not make a show about that series, and Starmer did not add cultural differences to the mandatory teachings; he chose to keep the progressive critical race theory alive, accepting Qatari cash at the expense of our children’s safety.

If you are sitting comfortably right now in your armchair, drinking coffee, thinking this only happens in Europe, you are very much wrong. In this article, I will show you how Hollywood is participating in and enabling the same agenda that protects, hides, and promotes terror and rape culture for the same reasons—to protect the progressive framework and keep Qatari money flowing, all at the small price of our children's safety. What you'll find is not a rabbit hole. It's a tunnel—and at the end of it, someone else is holding the script.