# Cadence Weapon — RSS Amplifier

Everything Cadence Weapon publishes, via the RSS Amplifier directory.

Page: <https://rssamplifier.com/authors/cadence-weapon>  
Feed: <https://rssamplifier.com/authors/cadence-weapon.md>

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## [Slop of the Pops](https://cadenceweapon.substack.com/p/slop-of-the-pops)

_2026-08-12 · Cadence Weapon_

Fenix Flexin's "RUBBERZ" is AI music's Trojan Horse

## [An Air of Inevitability](https://cadenceweapon.substack.com/p/an-air-of-inevitability)

_2026-06-09 · Cadence Weapon_

How writing my book prepared me for a battle against an AI data centre

## [No Gatekeepers](https://cadenceweapon.substack.com/p/no-gatekeepers)

_2026-06-02 · Cadence Weapon_

Why I'm putting on my own show this month without a promoter

## [The Mission](https://cadenceweapon.substack.com/p/the-mission)

_2026-05-25 · Cadence Weapon_

Why I'm on a one man crusade to change our listening habits

## [The End of the Coastal Elite Music Critic](https://cadenceweapon.substack.com/p/the-end-of-the-coastal-elite-music)

_2026-05-12 · Cadence Weapon_

Jon Caramanica, Billy Joel and why a writer's area code shouldn't matter in 2026

## [Labour of Love](https://cadenceweapon.substack.com/p/labour-of-love)

_2026-04-30 · Cadence Weapon_

A meditation on why artists do what they do

## [Forager](https://cadenceweapon.substack.com/p/forager-52d)

_2026-04-24 · Cadence Weapon_

My new album is out now!

## [Main Character Syndrome](https://cadenceweapon.substack.com/p/main-character-syndrome)

_2026-04-21 · Cadence Weapon_

On Mile End Kicks and seeing one's life depicted on the big screen

## [Finding My People](https://cadenceweapon.substack.com/p/finding-my-people)

_2026-04-15 · Cadence Weapon_

On worldbuilding and reaching fans in the social media era as a musician

## [Toronto Zoo](https://cadenceweapon.substack.com/p/toronto-zoo)

_2026-04-10 · Cadence Weapon_

The final single for Forager is out now

## [Reach prospects with real signals (Sponsored)](https://crawlproof.com/a/Xk94326S0NEx)

_2026-04-10 · **Sponsored**_

Find prospects talking about your problem and get context-backed moments to engage

## [The Trend Simulation Era](https://cadenceweapon.substack.com/p/the-trend-simulation-era)

_2026-04-07 · Cadence Weapon_

Your favourite band made it big with the help of hundreds of fake accounts. Does it matter?

## [Farewell to X](https://cadenceweapon.substack.com/p/farewell-to-x)

_2026-03-24 · Cadence Weapon_

A final goodbye to Twitter and thoughts on how our time might be better spent

## [Into the Raghouse](https://cadenceweapon.substack.com/p/into-the-raghouse)

_2026-03-20 · Cadence Weapon_

How the shadowy world of textile recycling inspired my new single

## [The Problem Solvers](https://cadenceweapon.substack.com/p/the-problem-solvers)

_2026-03-18 · Cadence Weapon_

My take on the Live Nation / Ticketmaster DOJ settlement

## [In Praise of Del the Funky Homosapien](https://cadenceweapon.substack.com/p/in-praise-of-del-the-funky-homosapien)

_2026-03-11 · Cadence Weapon_

A primer on one of the greatest underground rappers ever

## [Notes on process](https://cadenceweapon.substack.com/p/notes-on-process)

_2026-03-03 · Cadence Weapon_

How making music has changed for me over the last twenty years

## [Recommendations: February 2026](https://cadenceweapon.substack.com/p/recommendations-february-2026)

_2026-02-27 · Cadence Weapon_

Daphni, Mero on Hot 97, Love Story, Ellen Willis and more

## [House Money](https://cadenceweapon.substack.com/p/house-money)

_2026-02-24 · Cadence Weapon_

Baby Keem rolls the dice with Ca$ino

## [PA 4: How to dig for records](https://cadenceweapon.substack.com/p/pa-4-how-to-dig-for-records)

_2026-02-20 · Cadence Weapon_

My IRL methods for finding vinyl gems

## [Screen Share With Real Control (Sponsored)](https://crawlproof.com/a/rURhaf7R0w2q)

_2026-02-20 · **Sponsored**_

Collaborative screen sharing with simultaneous remote control — open source, like Screenhero.

## [The Devil's Advocate](https://cadenceweapon.substack.com/p/the-devils-advocate)

_2026-02-17 · Cadence Weapon_

On Wasserman, Epstein and the role of the booking agent

