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Authentic Sound

Authentic Sound

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The Man Beethoven Trusted — and History Forgot

I recently read Beyond The Art of Finger Dexterity: Reassessing Carl Czerny, edited by David Gramit (Cambridge University Press), one of the few recent academic books devoted entirely to Czerny. And I must say: it helped me understand Carl Czerny more than I could have imagined. Or, to put it differently: it opened a perspective that was quite shocking. Apparently, almost nobody really knows the…

Brahms' Final Piece Sounds Like a Dying Heartbeat

A reflection on Johannes Brahms’s late organ chorale prelude Herzlich thut mich verlangen, Clara Schumann, and the musical image of a fading heartbeat.

Did Franz Liszt Really Understand Chopin’s Music?

Arthur Friedheim’s 1916 edition of Chopin’s Études raises difficult questions about Franz Liszt, Chopin tradition, metronome marks, Karl Mikuli, Anton Rubinstein, and Whole Beat Metronome Practice.

We Still Serve Chopin NAKED in his Etude "La Tristesse"?

If you are reading this post, I assume you are familiar with the name Frédéric Chopin. I'm also assuming that you know his music quite...

Bernstein’s SECRET to instant Success on Stage - Best Music Lesson Ever

If you didn't know that we play all music rather slow compared to the standard of today, this post must have been sent to you by a...

Do Professionals Really Play Music "As They Want"?

A few days ago, I was scrolling through the comment section of my latest video. The title – "INJURED in Chopin's Name?" – was quite...

Exploring the Emotional Power of Bach's Toccata in D Minor BWV 565

Bach's Toccata in D Minor BWV 565 is a piece that resonates deeply within us. Its opening bars are as renowned as the iconic introduction...

Beyond the Notes: Bach's Prelude in C Minor will make you smile.

Why do we feel emotionally connected to certain pieces of music? Why is it that music, regardless of style, bypasses the brain and connects

Clavichord Joris Potvlieghe, n°35

What a clavichord can do with a musician is unexplainable. Unless when speaking to another clavichord player. It sounds weird but it is...

Pianoforte Johann Frenzel ca 1825

In 2019, our collection of instruments expanded thanks to a gift from Lorenz Gadient to Wim and the project. His Viennese fortepiano,...

Johann Fritz 1816 / Joris Potvlieghe Pianoforte

Pianoforte after Johann Fritz (1816) built by Joris Potvlieghe (2019) for Wim Winters. The original is owned by Joris Potvlieghe and was...

We record analog. And we LOVE it! Here's why.

All the recordings we make are captured by one of the greatest recording devices ever made: A Studer A80r. The machine was built in 1981...