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artplace · Aug 20, 2026

Does this Klimt have a nazi-era provenance problem?

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artplace · artplace

This weekend we were in Vienna and somewhere between long stretches of travelling and listening to Billy Joel’s Vienna on repeat, we found ourselves thinking back to last week’s post, which touched on the new Frame x Sotheby’s collaboration. What started as a reflection about how luxury fashion circles and the cultural currency of the art world are increasingly coming together, ended in us forming a sort of endless list of apparel items that could be said to make up somewhat of an art world uniform. For example, it’s hard to walk around an art fair without spotting a sales associate donning a pair of Golden Goose trainers, much like the tech bro allegiance to a pair of Ons.

Just as we were thinking about this, we saw a post on Fair Warning’s Instagram of a clothing tag embossed with the auction platform’s logo, along with the caption: “Fair Warning Couture, Fall/Winter 2026, New York. Coming up next on the app and IRL 🪡.” Are they about to cross into the realm of fashion in a big way? It wouldn’t be the first time. At the end of last year they released a limited edition t-shirt emblazoned with a pink and yellow neon-hued mashup based on Andy Warhol’s $16 million Bridget Bardot (1974), which they sold in Nov 2025, and the most expensive work of art to ever sell at auction, Leonardo da Vinci's Salvator Mundi. Or maybe they’ll be auctioning off couture pieces? Back in 2021, they sold a Paco Rabanne Armour Dress for just over $112,000. —Hey Lolita Cros, you wanna tell us more?

Anyway, back to Vienna.

There are many art-related things to do in the city, from the Belvedere Palace, home to the world’s largest collection of Gustav Klimt paintings, including The Kiss, to the Kunsthistorisches Museum, Leopold Museum, MAK and Secession. With only a few days here, we barely scratched the surface, but luckily for us, on one sunny afternoon, we found ourselves stepping through the doors of the Albertina.

After making our way through the Richard Price exhibition and the 250th anniversary show, we finished with Monet to Picasso. These galleries hold the museum’s permanent collection, largely made up by the Herbert Batliner collection, and it was here that we stumbled across a small work by Gustav Klimt that we had never seen before.

Gustav Klimt, Mermaids (Silverfish) (c. 1899)

We thought it was cool because of its slightly smaller size (it’s just over 30 inches in height). We snapped a pic for Substack notes and moved on. It was only later, when prompted by a comment from Cool Stories About Art, that we started to look into its fascinating and disputed provenance a little further.

If you’re reading this, that means you’ve been enjoying artplace for free. This is your reminder that all the good stuff is behind the paywall, and until the end of August, annual subs are discounted. In today’s post we delve into the controversial provenance behind Gustav Klimt’s Mermaids. Plus, all the art world news you need to know for the week ahead, from amateur art dealing competitions to new museum openings.

Read the original on artplace.substack.com

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