Composers:
Mick Jagger & Keith Richards
Recording
date: September 2022-March 2023
Recording
locations: Electric
Lady Studios, New York City, USA; Henson Recording
Studios,
Los
Angeles, USA;
Metropolis Studios, London, England; Sanctuary
Studios, Albany, Bahamas; & MixStar Studios,
Virginia Beach, USA
Producer: Andrew
Watt
Chief engineers:
Paul Lamalfa, Dave
O'Donnell & Marco
Sonzini
Mixer: Serban Ghenea
Never performed
onstage

Probable line-up:
Drums: Steve Jordan
Bass: Keith Richards
Acoustic guitars:
Mick Jagger & Keith Richards
Slide acoustic
resonator (Dobro) guitar: Ron Wood
Electric guitar:
Keith Richards
Lead vocals:
Mick Jagger
Backing vocals:
Mick Jagger & Keith Richards
Piano: Matt Clifford
Rhodes electric
piano: Matt Clifford
Hammond organ:
Benmont Tench
Harmonica: Mick Jagger
Percussion:
Mick Jagger
TrackTalk
It�s sort of like Sweet Virginia,
kind of, in the mood of it. It�s maybe not so rambunctious as Sweet
Virginia. It�s obviously about wanting to be alone, maybe
somebody from a lockdown experience (laughs). But it is sort of
country. You know, I started off playing just on the slide
guitar and Keith said to me What�s that? And I said Well
actually so far that�s it (laughs). And he said You
should keep going with it. So I did. And then Ronnie sort
of took over my slide part and Ronnie made it a really pretty
slide part.
Ronnie played the best slide he ever played
in his freaking life. Once we cut it, I immediately said, That�s
The Rolling Stones. That is what I signed up for. That
thing that happened � that will never happen again. I was very
vocal about it. And I was relieved.
When you�re tracking a band live, it�s awesome when everyone�s
parts are perfect, like on a song like Dreamy Skies.
Keith was playing bass on that one and then he overdubbed his
electric guitar afterwards, but besides that, it was all on the
floor.
I really like this one. It�s a beautiful
�gimme a break� song that Mick wrote: nicely done, nicely
played, Mick singing it cool, taking his own advice and getting
away from it all sometimes. It is world-weary without throwing
in the towel.
I told Mick Why did you call it
Dreamy Skies? I got to get it away from it all. I
enjoyed singing that with him. Hey, we go back a while.
Well it's Mick being stranded I think,
trying to get away from it all, right? He says I want to get
away and listen to a bit of old Hank Williams and some bad honky
tonk.
Dreamy Skies is kind of
introspective.
You are never "away" now, wherever you go. Someone�s always
texting you, aren�t they? When you have no connection, no phone,
only the country music on the radio for company, then you have
escaped. It's an anti-modernity thing. That�s the new luxury: to
be unavailable to everyone.
That's the sound of a Stones record: a five-string with a
six-string on top, and Ronnie. It always creates a beautiful
blend. A great example is how it sounds with Ronnie's Dobro on Dreamy
Skies. You always have to play around with the amps a bit,
but guitars are amazing things. You can make an orchestra out of
them with just a simple blend.
Dreamy Skies is very sweet. It has a Sweet Virginia-type
feel.