this happened to my close personal friend Percy Jackson once

auramemnon was at the front gates of troy moving like darth vader

I hope Homer is happy with this film adaptation and so is Marge

Spider-Man: My Dad's Coming Home

Do not ever, EVER, travel anywhere with Matt Damon

i wish i had something more meaningful to say right now, but i am at a major loss for words. several instances i found my body having a physical reaction to the pure filmmaking magic that i was experiencing. my eyes watered, my body began shaking, and i could feel an overwhelming visceral reaction consume me as ludwig göransson’s poetic composition flowed through my being. christopher nolan, thank you for making a film of such sheer ambition.

The Odyssey once again feels like an exercise for Christopher Nolan to showcase the scale of his filmmaking how many buildings he can blow up, how many millions he can spend just to recreate a cyclops with animatronics. And this is precisely where Nolan goes wrong: The Odyssey is not an epic in the purely spectacular sense. It is, above all, a journey a human quest, a search for oneself.

This is where Nolan fails, and where the Coen brothers, for instance, did not. The film’s main problem lies in its writing. Of course, Nolan’s direction remains what we have come to expect: grand, controlled, and visually impressive. But spectacle alone is not enough. The visuals, the music, the epic…

Matt Damon trying to get back home now is officially a genre