🔖 Beyond DeepSeek: China’s Diverse Open-Weight AI Ecosystem and Its Policy Implications
After years of lagging behind, Chinese AI models — especially open-weight LLMs — seem to have caught up or even pulled ahead of their global counterparts in advanced AI model capabilities and adoption.
We profile and compare the capabilities and distinct features of four notable Chinese open-weight language model families, highlighting that China’s ecosystem of open-weight LLMs is driven by a wide range of actors who are prioritizing the development of computationally efficient models optimized for flexible downstream deployment.
Diverse commercial strategies for translating open-weight model adoption into business success are emerging, yet their long-term viability remains uncertain.
The Chinese government’s support of open-weight model development — while not the sole determinant of its success — has played a substantial role, though there is no guarantee it will continue.
The widespread global adoption of Chinese open-weight models may reshape global technology access and reliance patterns, and impact AI governance, safety, and competition. Policymakers should ground their policy actions in a granular understanding of real-world deployment.🔖 China’s Latest A.I. Breakthrough Threatens America’s Lead
Moonshot said that the model, Kimi K3, was the world’s largest open-source A.I. system, allowing anyone to use, modify and build on it freely. The company said that Kimi K3 performed as well as leading models from OpenAI and Anthropic at some key tasks.
The release coincided with an address by Xi Jinping, China’s leader, in which he outlined an ambitious vision for global A.I. development that cast China as the champion of an open approach to the technology🔖 SUCHO WACZ data files from s3://sucho-opendata/crawls/
đź”– The Noise-Arch Archive
This collection is a compilation of underground/independently-released cassette tapes from the days when the audio cassette was the standard method of music sharing… generally the mid-eighties through early-nineties. The material represented includes tape experimentation, industrial, avant-garde, indy, rock, diy, subvertainment and auto-hypnotic materials. Much of this material defies category, and has therefore not been given one.
The bulk of the tapes in this library were donated to the project by former CKLN FM radio host Myke Dyer in August of 2009. The original NOISE-ARCH site was hosted and maintained by Graham Stewart and Mark Lougheed.đź”– The People Who Will Thrive in the AI Age
đź”– USGOV Archive
đź”– BIG DCTAP
BIG has chosen to capture BIBFRAME application profiles using the DC Tabular Application Profiles (DCTAP), an application profile specification from DCMI, because it meets our two primary requirements. It is a low barrier format for creating and reading metadata application profiles, and it is structured in such a way that it can be converted relatively easily into RDF validation formats.
The tab delimited files available here conform to the DCTAP specification with minor caveats. The majority of the elements used in BIG DCTAP are formally defined in the DCTAP specification, but it is important to note we also have implemented an extension to support the conversion to The Shapes Constraint Language, a W3C specification designed to support validation of RDF.đź”– Bibframe Interoperability Group (BIG) DCTAP
đź”– BIBFRAME Profiles
đź”– No right to relicense this project #327
🔖 “Useful” is not sufficient
đź”– Thinking with Moss
Thinking with Moss invites you to explore new models for how we think, design and develop digital collections and archives that speak to the invisible or under attended histories of the natural sciences. Using moss as a guide and thinking device, it examines modern botanical science as emergent from the dynamics of colonial enterprise and of the labor of many unacknowledged figures and their violently suppressed knowledge and practices, working across the span of empire’s reach.
This site presents a transdisciplinary, transmodal collection of texts and creative works from respondents and prompts, questions, observations and insights from a series of workshops, digitized letters, and mossy specimens and artifacts from the Mitten Collection housed at the New York Botanical Garden as an experiment and proof of concept for what digital archives and collections working with knowledges otherwise across the critical humanities, arts and sciences could be.