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Meander (art)

From Wikipedia, the free encyclopedia
Meander (or Greek key) on a stove in the Dimitrie Sturdza House (Strada Arthur Verona no. 13), Bucharest, Romania, unknown architect, 1883
Meander motif in the streets of Rhodes, Greece, in pavement made from beach stones

A meander or meandros[1] (Greek: Μαίανδρος) is a decorative border constructed from a continuous line, shaped into a repeated motif. To some Italians, these patterns are known as "Greek lines". Such a design may also be called the Greek fret or Greek key design, although these terms are modern designations; this decorative motif appears much earlier and among Near and Far Eastern cultures that are far from Greece. Usually the term is used for motifs with straight lines and right angles and the many versions with rounded shapes are called running scrolls or, following the etymological origin of the term, may be identified as water wave motifs.

Meaning of the name

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On one hand, the name "meander" recalls the twisting and turning path of the Maeander River in Asia Minor (present day Turkey) that is typical of river pathways. On the other hand, as Karl Kerenyi pointed out, "the meander is the figure of a labyrinth in linear form".[2]

Decorative uses

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Meanders are common decorative elements in Greek and Roman art. In ancient Greece they appear in many architectural friezes, and in bands on the pottery of ancient Greece from the Geometric period onward. The design is common to the present-day in classicizing architecture, and is adopted frequently as a decorative motif for borders for many modern printed materials.

Labyrinthine meanders in China

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The meander is a fundamental design motif in regions far from a Hellenic orbit: labyrinthine meanders ("thunder" pattern [3]) appear in bands and as infill on Shang bronzes (c.1600 BC – c.1045 BC), and many traditional buildings in and around China still bear geometric designs almost identical to meanders. Although space-filling curves have a long history in China in motifs more than several hundred years earlier, extending back to Zhukaigou Culture (c.2000 BC – c.1400 BC) and Xiajiadian Culture (c.2200 BC – c.1600 BC and c.1000 BC – c.600 BC), frequently there is speculation that meanders of Greek origin may have come to China during the time of the Han dynasty (c.202 BC) by way of trade with the Greco-Bactrian Kingdom. The oldest meander motive discovered so far is a key pattern from Mezin, Ukraine, Eastern Europe, from paleolithic era (circa 23,000BCE).[4][5][6]

Pre-Columbian Mesoamerican art

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Meander motifs also appears in pre-Columbian art in the western hemisphere, notably Mayan and Aztec, centuries before any European contacts. The term used is Xicalcoliuhqui, stemming from Nahuatl language, but is applied today to all mesoamerican motifs all over the continent.

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See also

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Citations

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  1. The Greek term maíandros and its Latinized variant meandros are not very common outside of archaeological contexts.
  2. Kerenyi, Dionysos: archetypal image of indestructible life (Princeton University Press) 1976:89.
  3. See J. E. L., description of a Late Chou hou at the Boston Museum of Fine Arts, in "A Chinese Bronze", Bulletin of the Museum of Fine Arts 27 (August 1929:48).
  4. Radovic, Ljilana; Jablan, Slavik (2001). "Antisymmetry and Modularity in Ornamental Art" (PDF). Bridges: Mathematical Connections in Art, Music, and Science [Conference Proceedings]: 55–65.
  5. Jablan, Slavik (2005). "Modularity in Art". Modularity : understanding the development and evolution of natural complex systems. Werner Callebaut, Diego Rasskin-Gutman. Cambridge, Mass.: MIT Press. ISBN 978-0-262-26969-8. OCLC 62098419.
  6. Jablan, Slavik; Radović, Ljiljana (2011-08-09). Glanville, Ranulph (ed.). "Do you like paleolithic op-art?". Kybernetes. 40 (7/8): 1045–1054. doi:10.1108/03684921111160287. ISSN 0368-492X.
  7. "Temple of Apollo at Didyma". brown.edu. Retrieved 6 March 2024.
  8. Bowden, Hugh (2023). Mystery Cults in the Ancient World. London: Thames & Hudson. ISBN 978-0-500-29727-8.
  9. Eastmond, Anthony (2013). The Glory of Byzantium and early Christendom. Phaidon. p. 53. ISBN 978-0-7148-4810-5.
  10. Eastmond, Anthony (2013). The Glory of Byzantium and early Christendom. Phaidon. p. 124. ISBN 978-0-7148-4810-5.
  11. Nees, Lawerence (2002). Early Medieval art. Oxford University Press. p. 220. ISBN 9780192842435.
  12. Reimkasten, Ulrich (2018). Perspektiven Der Textilen Künste (in German). Burg Giebichenstein Kunsthochschule Halle. p. 17. ISBN 978-3-86019-139-2.
  13. Eastmond, Anthony (2013). The Glory of Byzantium and early Christendom. Phaidon. p. 257. ISBN 978-0-7148-4810-5.
  14. Jones 2014, p. 296.
  15. Watkin, David (2022). A History of Western Architecture. Laurence King. p. 490. ISBN 978-1-52942-030-2.
  16. Celac, Carabela & Marcu-Lapadat 2017, p. 123.

Sources

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  • Celac, Mariana; Carabela, Octavian; Marcu-Lapadat, Marius (2017). Bucharest Architecture - an annotated guide. Order of Architects of Romania. ISBN 978-973-0-23884-6.
  • Jones, Denna, ed. (2014). Architecture The Whole Story. Thames & Hudson. ISBN 978-0-500-29148-1.
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