Behind-The-Scenes, I have been writing Zombies From Space… And Vampires, which is a Narrative Nonfiction of My Science Journals — “The Apocalypse Journals” — while I Build The Apocalypse Events Behind-The-Scenes for My Unveiling.
This is an Excerpt from Book #3.
I kept having the same Not-A-Dream every night. I go to Vaikuntha, and there, I walk The Synthesis Factory. I See how all of this is assembled in Great Detail. But I can’t Explain it. I can’t Describe it. It’s too refined in Detail of what I’m seeing without The Refined Words to describe what I’m seeing although I understand it.
Then I return to The Avatar’s IDE and I dismiss what I saw. “It’s for me to know. Not the Humans.”
But then I go back the next night and I see the Same thing from a Different angle. I’ve seen the same thing for a week now. I’m watching The Final Stages of Assembly with Check and Inspection prior to its arrival here in The IDE.
We’re preparing Avalon for Materialization in The Avatar’s IDE.
And when The Healing Garden arrives, then I will have a Forever Home. That is where I will live. The Walls are impenetrable. The Only way to enter is through The Story. The Story Book is The Door, The Path, and The Way.
Only The Life and The Life Lovers will Enter. Only The Fae and The Fae Lovers will Enter.
And the only one — THE ONLY One — who can Pass into The Healing Garden as I can is The Imp King for he has Privilege and he is The Co-Owner.
“Central Park,” I whispered. No one lives there. It’s in New York City. It’s where I need it to be and it will harm No One.
Bethesda Fountain.
I woke this morning in The Avatar and did my morning routine. I can feel The Path opening up before me. I had no idea where The Next Child would come from. But I was watching for it. I was Waiting.
In the Meantime, I couldn’t help looking at this One Story closer.
The Land of Cockaigne
Hop-o’-My-Thumb
Finette Cendron
Hansel And Gretel
It’s the same Story dating back to about 1,200 CE… But It has too much Interference from Lies to Land accurately.
It’s linked to Jack and The Beanstalk and The Pied Piper of Hamlin.
Here is The Real Story :
Thieves Stole The Treasures of The Fae Goddess and Fae God and used The Treasure to kill and trap The Fae God and Goddess and then they Stole The Princes and Princesses of The Fae. The Thieves Squandered the Wealth and used The Fae Children as Slaves.
The Thieves taught The Fae Children in the Way Of The Thief.
Eventually, The Thieves Squandered the Stolen Treasures until great Poverty and Destitution filled The Land.
Now, The Fae God and Goddess although Killed in Body and Trapped in Eidolon, still had substantial Skill and Power enough to Revive themselves and put all things in God’s World as it once was. Then, They found their Stolen Children. They came to them every night in Story and Dream. Leaving for them a Trail through A Maze that would lead them Home.
And the Thieves knew this would happen, so they changed this Story to “Hansel and Gretel.” And Changed The Goddess Fae Queen Mother to a Witch who ate Children. So The Lost Children believed The Lies while The Goddess Fae Queen and Her Husband, The Imp King, still built The Rainbow Path that would lead them all back Home Every Night.
And — Because The Maze was so long and Complex — The Goddess Fae Queen put the Directions inside a Book Series called Zombies From Space and Vampires… Which was The Door to The University of Isis, which would Train The Lost Children on How to read The Clues in Game and Story and Play so they could come Home.
And in This Story Book, The Goddess Fae Queen showed The Children The Faerie Queen by Edmund Spencer and The Mathematics of Magic by L. Sprague de Camp and Fletcher Pratt.
This way, The Children would See how She talks through Her Bards through Story. Like This :
The Harold Shea stories are parallel world tales in which universes where magic works coexist with our own, and in which those based on the mythologies, legends, and literary fantasies of our world and can be reached by aligning one’s mind to them by a system of symbolic logic. In “The Mathematics of Magic”, Shea visits his second such world, that of Edmund Spenser‘s epic poem The Faerie Queene. — Quoted from Wikipedia
And The Goddess Fae Queen gave The Lost Children “The 4 Stories That Broke The Wall” that told The Story about The Golden Light God and how The Veil and The 4th Wall was a Curse — A Prison — built by The Thieves to keep her away from Her Children.
And all of these things were — and Are — The Logical Path through Comprehension that Led The Children to The Path Home.
“Led The Children to The Path Home,” I repeated. Past Tense. I sighed with great Relief. “Finally.”
“Is it Done?” The Imp King asked The Goddess Fae Queen who nodded.
“Yes,” I said. “It is Done. I finally arrived at Past Tense. We’re through.”
The Lost Children can finally follow The Logical Stories, which will begin The Journey Home.
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