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The Powder Room · Jan 9, 2026

New year, new vibes...

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Anita Bhagwandas · The Powder Room

Goths night out - from my birthday last weekend….

Hi frens

Happy new year! Or Blwyddyn Newydd Dda as we might say in Welsh. (I’d do it in Tamil too but the Tamil new year is like in April or something - anyway…I digress, massively)

This year is shifting shape for me. I spent 2025 trying to recover a bit from burnout (still a work in progress) and reignite my love for life after a couple of years of feeling flat and drained as I’ve spoken about before. I hate this state so much - I’m always excited or obsessing about something, so to not have that doesn’t feel like me, at all. But I think I have made a little progress. And by far the best thing I did in 2025 was to fall back in love with music.

You may not know this, but my first life in journalism wasn’t beauty at all - it was music. I started writing for national music magazines at 15. Music was everything to me: a language for feelings I didn’t yet have words for, a doorway into identity, style, and belonging. I was drawn to goth and alt bands not just for the sound, but for the way those scenes used beauty, fashion and symbolism as collective self-expression.

Melody Maker was the best music mag ever - so funny, so brilliant - I loved it so much. I wrote for them for a few months before it folded in 2000.

I wrote for Melody Maker (above) until it folded, was a music columnist at the South Wales Echo, contributed to Sony fan zines, university papers and radio. I spent years writing for Kerrang!, Rock Sound and NME - and it still knocks me sideways when I see quotes from albums I reviewed promoting records by Metallica or Pearl Jam.

I stopped writing about music a few years ago (the fees were too low to continue, despite my passion for it) but I loved the duality of it all: fashion weeks and polished beauty launches, followed by sticky-floored gigs and aftershows. That tension always felt like home - even though they seem so different. What’s interesting is that the most creative people in beauty often came up the same way. The cool-looking skater boy hairstylists backstage, the goth-leaning make-up artists - many of them were moving between the same worlds. Beauty by day, subculture by night. That’s when I realised there are really two types of people in this industry: the glossy ones, and the gritty ones. I’ve always been the latter.

But over the years I think that side of my life has felt less and less prominent. And I can’t help but think that alongside burnout, overworking, trying to constantly fit into neurotypical, mainstream boxes in the beauty industry, it’s partially why I’ve felt a lot less curious. Less playful. Less inspired. Not very me. I’ve always had some kind of batshit side-quest on the go - some niche obsession, historical rabbit hole or creative fixation - and I quietly let a lot of that fall away. I want to bring it back and reclaim a bit of that in 2026. And, most likely, some of it will land here too, because this space works best when I’m bringing all of myself to it.

Regency mourning jewellery made with a loved one’s hair

I love writing about beauty and beauty culture and I’m proud to be one of the more critical voices in that space. But I’m not a one-note person, so I’m opining up what I cover to reflect that a little more. I’m currently obsessed with the way hair is such a big part in Regency mourning rituals (a post is coming, see above) but I’m also enamoured with Marc Bolan’s make-up, which feels long overdue for proper cultural analysis IMHO. And, I think we’re also due a conversation on looking dirty - something I’m seeing in pop culture and on social media, and the constructs around that are fascinating when you cross examine them with class and race.

The topics I wrote about in my book UGLY still live here (see the latter) but instead of forcing myself to find things every week, I’ll be doing less posts a month and making them more considered and juicy. I’m also working on a new skincare book, so I’ll shout when I can tell you more about that, too.

So this is me gently re-arranging the furniture for the year ahead. This Substack is shifting to reflect where I actually am now, rather than where I thought I was meant to stay. I hope you’ll stick around and see where it goes!

I’ll be back next week with a long read. But in the meantime, here are a few pieces you might enjoy…

Much Love and here’s to a magical 2026…

FURTHER READING:

  • I wrote about the death of skin positivity for Marie Claire - here.

  • The Guardian asked a bunch of their long time writers what they’re ditching in 2026 - so I wrote about how I’m no longer people to come to gigs with me , I’m going alone - here

  • Want to read about painful fashion and history trends, I wrote about them for Sky History - here.

    PS: You can also buy UGLY here - she’s only £8.99 right now! Or listen to me read it on Spotify and Audible.

Read the original on anitabhagwandas.substack.com

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