Comments About “Venice in Las Vegas”
Here I will post comments about my book "Venice in Las Vegas" as they come in.
Blog and project archive about media theory, science fiction theory, and creative coding
Here I will post comments about my book "Venice in Las Vegas" as they come in.
By Giorgio Cipolletta. The review originally appeared at Noemalab.eu.
By Florian Arnold. The review originally appeared in the Vilem Flusser Archive at the University of the Arts, Berlin.
One of the great novels of the twentieth century is The Stranger by Albert Camus. François Ozon's new film adaptation is playing in movie theaters. The Stranger has been adapted across different media by creators from Algeria, Turkey, Italy, Argentina, and France.
While the technological simulation hypothesis, promoted by thinkers such as Nick Bostrom and Elon Musk, suggests that reality may be an artificial environment created by an advanced civilization, I argue that cultural simulation provides a more convincing explanation of present-day social life.
My memoir book "Venice in Las Vegas: An American and European Auto-Socio-Biography, 1960s to 1980s" has been published in the Counterpoints Studies in Criticality series, edited by Shirley Steinberg, of the Peter Lang Publishing House.
In addition to the structural consciousness of the smart home, activated by my functional consciousness, there can be the creative, phantasmal consciousness, given free play by my sensory imagination and expressed and merged with flexible phantasmal media applications.
“The first casualty of war is the truth.” The new formulation: The first casualty of post-truth is the post-war or hyper-war calamity. It is the fractal, viral, pandemic-like catastrophe spreading in all directions like a cancerous metastasis once known as war.
Here are short excerpts from six reviews of my book "Decoding Digital Culture with Science Fiction: Hyper-Modernism, Hyperreality, and Post-Humanism," and some other quotations about the book.
We can become AI: think, speak, and act like AI. Then we are not only offloading our intelligence and creativity to AI; we are learning from the patterns of that “other” or “alien” intelligence. By meeting the AI in the middle and mimicking it, we co-create a hybrid expressivity or computational aesthetics.