A music podcast about songwriting, albums, and whatnot hosted by Justin Cox. Seasons about Bright Eyes, Jackson Browne, and Against Me! are in this feed, plus other interviews. Support: patreon.com/afterthedeluge Follow: twitter.com/routinelayup
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Claire Carusillo is the author of The Responsible Party (out Aug. 11) and co-owner of Storyboard—a book shore/skate shop in Midway, UT. We talk about Baller*na Farm turning the town into a Tradwife Mecca, her family’s real-life shipwreck history, hot tub maintenance, bunking up in a lighthouse, how Ch*tGPT has ruined Reality TV recaps, writing at the crack of dawn, and the book coming out very…
The original Jackson Browne interview just got hit with a c*pyright strike, so here's a video version without the song clips. Originally aired in 2023. Our guest on the Season One finale is Jackson Browne (!) and we talk about his whole career, from writing "These Days" at 16 up to his latest record, Downhill From Everywhere. Reach me at delugepodcast@gmail.com. LISTEN TO THE FULL JACKSON BROWNE…
Jonathan Bernstein is a Senior Research Editor for Rolling Stone and author of the new book What Do You Do When You’re Lonesome? — the authorized biography of Justin Townes Earle. You can buy it now . We talk about the night we learned of Justin's death, songs about heroin and crack, writing descriptively about finger picking, Justin made his father the villain, the last quarter-century of roots…
Chris DeVille is Managing Editor at Stereogum and author of the book Such Great Heights , available for preorder now. We talk about the 2007 Bon Iver debut album, For Emma, Forever Ago . Also going cabin-mode in the Wisconsin winter, this album's lore, the indie landscape in '08, Pitchfork kingmaking, The OC, Garden State, Popt*mism, gentrifying indie music, hearing "Skinny Love" at my bad…
Season 4 of After the Deluge will go album by album through the Bon Iver discography with a new guest on each episode, starting in the cabin with For Emma, Forever Ago and going in all kinds of directions from there. Subscribe an tell a friend. Support the show, get a zine. For Emma episode is live now: patreon.com/afterthedeluge -- @routinelayup
Michele Catalano has posted prolifically about music on the internet for years. She’s 62 years old and recently launched ihavethatonvinyl.com . We talk seeking out new music as we age, classic rock, new wave, 2015 was a bad music year for her, she bought her new website’s domain in 2004 and forgot she had it, writing about her record collection, Songs for the Deaf , Brand New, Covid collecting,…
Longmont Potion Castle is a beloved recording artist and anonymous prank caller from Colorado. Interview starts at 11 mins. We talk about touring-band soundtracks, flipwild, deep and uncontrollable laughter, bruschotti, piglets, “After the Deluge” by Sodom, his daily conversation style, the Longmont documentary, whether his calls are mean-spirited, squid sandwiches, Otis, he’s not a comedian, a…
Dylan Tupper Rupert is the host of the podcast series, Groupies . It's the latest season of KCRW's Lost Notes . She's also Producer Emeritus for Bandsplain. We talk about birth control, the dawn of punk, a scandalous take on Cosmo in 1971, making a show about sexual relationships between rock stars and teens, that Cormac McCarthy Vanity Fair story, the vampiric energy of Jimmy Page, Pamela Des…
Jason Stewart is co-host of the podcast How Long Gone . We talk about foreplay in interviewing, lightweight counter-programming when everything's political, Ep. 50 with Willy Staley, listening to podcasts is Gen Z meditation, early Adam Carolla, The Mount Rushmore of Glendale Podcasters, not asking bands about their music, How Long Gone’s marketing strategy, the Snail Mail episode, Guns & Roses…
Today it's a short one about a couple of quintessential Jackson Browne songs. My guest is Patrick Lyons and the impetus for this episode is these two recent articles about the songs "These Days" and "The Pretender." Patrick wrote the latter, and both articles are great. The Song That Connects Jackson Browne, Nico and Margot Tenenbaum, by Bob Mehr (NYT)…
