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I wander my garden like the gallery of a museum, peering with shrewd attention at the varying shades of green sprouting through the topsoil. Lips pursed, just so, I tilt my head as I examine the first leaves of the bleeding heart and hostas, as if they each bear a tiny bronze plaque about the artist—what’s-his-name from you-know-where—and his particular technique. I move on, hands clasped behind my back, satisfied that yes, spring has indeed made a come back, and yes, his oeuvre remains as exceptional as always.
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